๊ณต์‹ Sora 2 ํ”„๋กฌํ”„ํŒ… ๊ฐ€์ด๋“œ: ์„ฑ๊ณต์ ์ธ ๋น„๋””์˜ค ์ƒ์„ฑ์„ ์œ„ํ•œ ์‹ค์ „ ์ „๋žต

Posted by Euisuk's Dev Log on October 8, 2025

๊ณต์‹ Sora 2 ํ”„๋กฌํ”„ํŒ… ๊ฐ€์ด๋“œ: ์„ฑ๊ณต์ ์ธ ๋น„๋””์˜ค ์ƒ์„ฑ์„ ์œ„ํ•œ ์‹ค์ „ ์ „๋žต

์›๋ณธ ๊ฒŒ์‹œ๊ธ€: https://velog.io/@euisuk-chung/Sora-2-๊ณต์‹-ํ”„๋กฌํ”„ํŒ…-๊ฐ€์ด๋“œ

Sora 2 ํ”„๋กฌํ”„ํŒ… ๊ฐ€์ด๋“œ: ์„ฑ๊ณต์ ์ธ ๋น„๋””์˜ค ์ƒ์„ฑ์„ ์œ„ํ•œ ์‹ค์ „ ์ „๋žต

https://cookbook.openai.com/examples/sora/sora2_prompting_guide

๋“ค์–ด๊ฐ€๋ฉฐ

OpenAI์˜ Sora 2๋Š” ํ…์ŠคํŠธ ํ”„๋กฌํ”„ํŠธ๋ฅผ ํ†ตํ•ด ๊ณ ํ’ˆ์งˆ ๋น„๋””์˜ค๋ฅผ ์ƒ์„ฑํ•˜๋Š” ์ฐจ์„ธ๋Œ€ AI ๋ชจ๋ธ์ž…๋‹ˆ๋‹ค. ์ด ๊ฐ€์ด๋“œ๋Š” ์‹ค์ œ OpenAI Cookbook์—์„œ ์ œ๊ณตํ•˜๋Š” ๊ณต์‹ ํ”„๋กฌํ”„ํŒ… ์ „๋žต์„ ๊ธฐ๋ฐ˜์œผ๋กœ, Sora 2๋ฅผ ํšจ๊ณผ์ ์œผ๋กœ ํ™œ์šฉํ•˜๊ธฐ ์œ„ํ•œ ๊ตฌ์ฒด์ ์ธ ๋ฐฉ๋ฒ•๋ก ์„ ์žฌํŽธ์„ฑํ•˜์—ฌ ์ž‘์„ฑํ–ˆ์Šต๋‹ˆ๋‹ค.

๋งํฌ: https://cookbook.openai.com/examples/sora/sora2_prompting_guide

์˜ํ™” ์ดฌ์˜ ๊ฐ๋…์—๊ฒŒ ์Šคํ† ๋ฆฌ๋ณด๋“œ๋ฅผ ์„ค๋ช…ํ•˜๋“ฏ์ด, Sora 2์—๊ฒŒ๋„ ๋ช…ํ™•ํ•˜๊ณ  ๊ตฌ์ฒด์ ์ธ ์ง€์‹œ๊ฐ€ ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค. ๋™์‹œ์— ์ฐฝ์˜์  ์ž์œ ๋„๋ฅผ ํ—ˆ์šฉํ•˜๋Š” ๊ท ํ˜•์ด ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค. ํ”„๋กฌํ”„ํŠธ๋ฅผ โ€œ๊ณ„์•ฝ์„œโ€๊ฐ€ ์•„๋‹Œ โ€œ์ฐฝ์˜์  ํฌ๋ง ๋ชฉ๋ก(creative wish list)โ€์œผ๋กœ ์ƒ๊ฐํ•˜์„ธ์š”.

๐ŸŒŸ ํ•ต์‹ฌ ์›์น™: ChatGPT์ฒ˜๋Ÿผ, ๋™์ผํ•œ ํ”„๋กฌํ”„ํŠธ๋ฅผ ์—ฌ๋Ÿฌ ๋ฒˆ ์‚ฌ์šฉํ•˜๋ฉด ๋งค๋ฒˆ ๋‹ค๋ฅธ ๊ฒฐ๊ณผ๊ฐ€ ๋‚˜์˜ต๋‹ˆ๋‹ค. ์ด๋Š” ๋ฒ„๊ทธ๊ฐ€ ์•„๋‹ˆ๋ผ ๊ธฐ๋Šฅ์ž…๋‹ˆ๋‹ค. ๊ฐ ์ƒ์„ฑ์€ ์ƒˆ๋กœ์šด ํ•ด์„์ด๋ฉฐ, ๋•Œ๋กœ๋Š” ๋‘ ๋ฒˆ์งธ๋‚˜ ์„ธ ๋ฒˆ์งธ ์‹œ๋„๊ฐ€ ์ตœ๊ณ ์˜ ๊ฒฐ๊ณผ๋ฅผ ๋‚ณ์Šต๋‹ˆ๋‹ค.

๐Ÿ“Œ ๊ฐ€์ด๋“œ ๊ตฌ์„ฑ ์•ˆ๋‚ด: ์ด ๋ธ”๋กœ๊ทธ๋Š” OpenAI Cookbook์˜ ๋‚ด์šฉ์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•˜๋˜, ํ•™์Šต ํšจ๊ณผ๋ฅผ ์œ„ํ•ด ์ผ๋ถ€ ์„น์…˜์„ ์žฌ๊ตฌ์„ฑํ–ˆ์Šต๋‹ˆ๋‹ค. ํŠนํžˆ Part 4 โ€œ์‹ค์ „ ์ ์šฉโ€์€ ์›๋ฌธ์˜ ์—ฌ๋Ÿฌ ์„น์…˜์— ํฉ์–ด์ง„ ๋‚ด์šฉ์„ ํ†ตํ•ฉ ์ •๋ฆฌํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์›๋ฌธ์— ์—†๋Š” ์ถ”๊ฐ€ ๋‚ด์šฉ์€ (์ถ”๊ฐ€) ํ‘œ์‹œ๋ฅผ ํ–ˆ์Šต๋‹ˆ๋‹ค.


Part 1: ๊ธฐ์ดˆ ์ดํ•ด

1. ํ”„๋กฌํ”„ํŒ… ์‹œ์ž‘ ์ „ ์ดํ•ดํ•ด์•ผ ํ•  ๊ฒƒ

1.1 ํ”„๋กฌํ”„ํŠธ์˜ ๋ณธ์งˆ

ํ”„๋กฌํ”„ํŒ…์€ ์Šคํ† ๋ฆฌ๋ณด๋“œ๋ฅผ ๋ณธ ์  ์—†๋Š” ์ดฌ์˜ ๊ฐ๋…์—๊ฒŒ ๋ธŒ๋ฆฌํ•‘ํ•˜๋Š” ๊ฒƒ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค.

  • ์„ธ๋ถ€์‚ฌํ•ญ์„ ์ƒ๋žตํ•˜๋ฉด ๋ชจ๋ธ์ด ์ฆ‰ํฅ์ ์œผ๋กœ ์ฑ„์šฐ๊ฒŒ ๋˜๋ฉฐ, ์›ํ•˜๋Š” ๊ฒฐ๊ณผ๋ฅผ ์–ป์ง€ ๋ชปํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
  • โ€œ์ƒทโ€์ด ๋ฌด์—‡์„ ๋‹ฌ์„ฑํ•ด์•ผ ํ•˜๋Š”์ง€ ๊ตฌ์ฒด์ ์œผ๋กœ ๋ช…์‹œํ•˜๋ฉด, ๋ชจ๋ธ์ด ๋” ์ •ํ™•ํ•˜๊ณ  ์ผ๊ด€๋˜๊ฒŒ ์ž‘๋™ํ•ฉ๋‹ˆ๋‹ค.

ํ•˜์ง€๋งŒ ์ผ๋ถ€ ์„ธ๋ถ€์‚ฌํ•ญ์„ ์—ด์–ด๋‘๋Š” ๊ฒƒ๋„ ๊ฐ•๋ ฅํ•œ ์ „๋žต์ž…๋‹ˆ๋‹ค.

  • ๋ชจ๋ธ์—๊ฒŒ ๋” ๋งŽ์€ ์ฐฝ์˜์  ์ž์œ ๋ฅผ ์ฃผ๋ฉด ๋†€๋ผ์šด ๋ณ€ํ˜•๊ณผ ์˜ˆ์ƒ์น˜ ๋ชปํ•œ ์•„๋ฆ„๋‹ค์šด ํ•ด์„์„ ์–ป์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

๐Ÿ’ก ๋‘ ๊ฐ€์ง€ ์ ‘๊ทผ๋ฒ• ๋ชจ๋‘ ์œ ํšจํ•ฉ๋‹ˆ๋‹ค:

  • ์ƒ์„ธํ•œ ํ”„๋กฌํ”„ํŠธ โ†’ ์ œ์–ด์™€ ์ผ๊ด€์„ฑ ์ œ๊ณต
  • ๊ฐ„๊ฒฐํ•œ ํ”„๋กฌํ”„ํŠธ โ†’ ์ฐฝ์˜์  ๊ฒฐ๊ณผ๋ฅผ ์œ„ํ•œ ๊ณต๊ฐ„ ์ œ๊ณต

์˜ฌ๋ฐ”๋ฅธ ๊ท ํ˜•์€ ๋ชฉํ‘œ์™€ ์›ํ•˜๋Š” ๊ฒฐ๊ณผ์— ๋”ฐ๋ผ ๋‹ฌ๋ผ์ง‘๋‹ˆ๋‹ค.

1.2 ๋ฐ˜๋ณต(Iteration)์˜ ์ค‘์š”์„ฑ

๊ฐ€์žฅ ์ค‘์š”ํ•œ ๊ฒƒ์€ ๋ฐ˜๋ณตํ•  ์ค€๋น„๋ฅผ ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.

  • ์นด๋ฉ”๋ผ, ์กฐ๋ช…, ์•ก์…˜์˜ ์ž‘์€ ๋ณ€ํ™”๊ฐ€ ๊ฒฐ๊ณผ๋ฅผ ๊ทน์ ์œผ๋กœ ๋ฐ”๊ฟ€ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
  • ๋ชจ๋ธ๊ณผ ํ˜‘์—…ํ•˜์„ธ์š”: ๋‹น์‹ ์ด ๋ฐฉํ–ฅ์„ ์ œ์‹œํ•˜๊ณ , ๋ชจ๋ธ์ด ์ฐฝ์˜์  ๋ณ€ํ˜•์„ ์ „๋‹ฌํ•ฉ๋‹ˆ๋‹ค.

โš ๏ธ ๋ณธ ๊ฐ€์ด๋“œ๋Š” ์ •ํ™•ํ•œ ๊ณผํ•™(๋ฒ•์น™)์ด ์•„๋‹™๋‹ˆ๋‹ค. ์•„๋ž˜ ๊ฐ€์ด๋“œ๋Š” ๋จผ์ € ์‚ฌ์šฉํ•ด๋ณธ ์‚ฌ๋žŒ๋“ค์ด ๋ชจ๋ธ ์ž‘์—…์„ ํ†ตํ•ด ๋ฐฐ์šด ์œ ์šฉํ•œ ์ œ์•ˆ์‚ฌํ•ญ์œผ๋กœ ์ƒ๊ฐํ•˜์„ธ์š”.


2. API ํŒŒ๋ผ๋ฏธํ„ฐ: ํ”„๋กฌํ”„ํŠธ๋กœ ์ œ์–ดํ•  ์ˆ˜ ์—†๋Š” ์š”์†Œ

ํ”„๋กฌํ”„ํŠธ๋Š” ๋น„๋””์˜ค์˜ ์ฝ˜ํ…์ธ ๋ฅผ ์ œ์–ดํ•˜์ง€๋งŒ, ํŠน์ • ์†์„ฑ์€ API ํŒŒ๋ผ๋ฏธํ„ฐ๋กœ๋งŒ ์ œ์–ด๋ฉ๋‹ˆ๋‹ค.

  • ํ”„๋กฌํ”„ํŠธ์—์„œ ์š”์ฒญํ•  ์ˆ˜ ์—†์œผ๋ฉฐ, API ํ˜ธ์ถœ์—์„œ ๋ช…์‹œ์ ์œผ๋กœ ์„ค์ •ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.

Model - https://platform.openai.com/docs/models/sora-2

Modality & Endpoint - https://platform.openai.com/docs/models/sora-2

2.1 ํ•„์ˆ˜ API ํŒŒ๋ผ๋ฏธํ„ฐ

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{
  "model": "sora-2-pro",
  "size": "1280x720",
  "seconds": "8"
}

1. model (๋ชจ๋ธ ์„ ํƒ)

  • sora-2: ๊ธฐ๋ณธ ๋ชจ๋ธ, ํ‘œ์ค€ ํ•ด์ƒ๋„ ์ง€์›
  • sora-2-pro: ๊ณ ๊ธ‰ ๋ชจ๋ธ, ๋” ๋†’์€ ํ•ด์ƒ๋„์™€ ๋””ํ…Œ์ผ ์ œ๊ณต

2. size (ํ•ด์ƒ๋„)

sora-2 ์ง€์› ํ•ด์ƒ๋„:

  • 1280x720 (16:9 ๊ฐ€๋กœํ˜•)
  • 720x1280 (9:16 ์„ธ๋กœํ˜•)

sora-2-pro ์ง€์› ํ•ด์ƒ๋„:

  • 1280x720, 720x1280 (์œ„์™€ ๋™์ผ)
  • 1024x1792 (์„ธ๋กœํ˜•, ๋” ๋†’์€ ํ•ด์ƒ๋„)
  • 1792x1024 (๊ฐ€๋กœํ˜•, ๋” ๋†’์€ ํ•ด์ƒ๋„)

3. seconds (๊ธธ์ด)

  • ์ง€์› ๊ฐ’: "4", "8", "12"
  • ๊ธฐ๋ณธ๊ฐ’: "4"

2.2 ํ•ด์ƒ๋„์˜ ์˜ํ–ฅ

๋น„๋””์˜ค ํ•ด์ƒ๋„๋Š” ์‹œ๊ฐ์  ์ถฉ์‹ค๋„(visual fidelity)์™€ ๋™์ž‘ ์ผ๊ด€์„ฑ์— ์ง์ ‘์ ์ธ ์˜ํ–ฅ์„ ๋ฏธ์นฉ๋‹ˆ๋‹ค.

  • ๋†’์€ ํ•ด์ƒ๋„: ๋””ํ…Œ์ผ, ํ…์Šค์ฒ˜, ์กฐ๋ช… ์ „ํ™˜์„ ๋” ์ •ํ™•ํ•˜๊ฒŒ ์ƒ์„ฑ
  • ๋‚ฎ์€ ํ•ด์ƒ๋„: ์‹œ๊ฐ ์ •๋ณด ์••์ถ•์œผ๋กœ ์ธํ•œ ๋ถ€๋“œ๋Ÿฌ์›€์ด๋‚˜ ์•„ํ‹ฐํŒฉํŠธ ๋ฐœ์ƒ ๊ฐ€๋Šฅ

2.3 ๋น„๋””์˜ค ๊ธธ์ด์˜ ์ „๋žต

๋ชจ๋ธ์€ ์ผ๋ฐ˜์ ์œผ๋กœ ์งง์€ ํด๋ฆฝ์—์„œ ์ง€์‹œ์‚ฌํ•ญ์„ ๋” ์‹ ๋ขฐ์„ฑ ์žˆ๊ฒŒ ๋”ฐ๋ฆ…๋‹ˆ๋‹ค.

๐Ÿ’ก ์ตœ์  ์ „๋žต: 8์ดˆ ๋‹จ์ผ ํด๋ฆฝ๋ณด๋‹ค ๋‘ ๊ฐœ์˜ 4์ดˆ ํด๋ฆฝ์„ ํŽธ์ง‘์œผ๋กœ ์—ฐ๊ฒฐํ•˜๋Š” ๊ฒƒ์ด ๋” ๋‚˜์€ ๊ฒฐ๊ณผ๋ฅผ ์ œ๊ณตํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.


3. ํšจ๊ณผ์ ์ธ ํ”„๋กฌํ”„ํŠธ ์ž‘์„ฑ ๊ธฐ์ดˆ

3.1 ํ”„๋กฌํ”„ํŠธ ๊ตฌ์กฐ์˜ ์ดํ•ด

๋ช…ํ™•ํ•œ ํ”„๋กฌํ”„ํŠธ๋Š” ์Šคํ† ๋ฆฌ๋ณด๋“œ์— ์Šค์ผ€์น˜ํ•˜๋“ฏ์ด ์ƒท์„ ๋ฌ˜์‚ฌํ•ฉ๋‹ˆ๋‹ค. ๋‹ค์Œ ์š”์†Œ๋“ค์„ ํฌํ•จํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค:

  1. ์นด๋ฉ”๋ผ ํ”„๋ ˆ์ด๋ฐ ๋ช…์‹œ
  2. ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„(Depth of Field) ์„ค๋ช…
  3. ์•ก์…˜์„ ๋น„ํŠธ(beats)๋กœ ๋ถ„ํ•  ๊ธฐ์ˆ 
  4. ์กฐ๋ช…๊ณผ ํŒ”๋ ˆํŠธ ์„ค์ •
  5. ํ”ผ์‚ฌ์ฒด๋ฅผ ๊ตฌ๋ณ„๋˜๋Š” ์„ธ๋ถ€์‚ฌํ•ญ์œผ๋กœ ๊ณ ์ •

ํ”ผ์‚ฌ์ฒด๋ฅผ ๋ช‡ ๊ฐ€์ง€ ๋…ํŠนํ•œ ์„ธ๋ถ€์‚ฌํ•ญ์œผ๋กœ ๊ณ ์ •ํ•˜๋ฉด ์—ฌ๋Ÿฌ ์ƒท์—์„œ๋„ ์ธ์‹ ๊ฐ€๋Šฅํ•˜๋ฉฐ, ๋‹จ์ผํ•˜๊ณ  ๊ทธ๋Ÿด๋“ฏํ•œ ์•ก์…˜์€ ์ƒท์„ ๋”ฐ๋ผ๊ฐ€๊ธฐ ์‰ฝ๊ฒŒ ๋งŒ๋“ญ๋‹ˆ๋‹ค.

3.2 ์งง์€ ํ”„๋กฌํ”„ํŠธ vs ๊ธด ํ”„๋กฌํ”„ํŠธ

ํ”„๋กฌํ”„ํŠธ ์œ ํ˜• ๋ชจ๋ธ ์ฐฝ์˜์„ฑ ํŠน์ง•
์งง์€ ํ”„๋กฌํ”„ํŠธ ๋†’์Œ ๋†€๋ผ์šด ๊ฒฐ๊ณผ ๊ธฐ๋Œ€, ์˜ˆ์ƒ์น˜ ๋ชปํ•œ ํ•ด์„
๊ธด ์ƒ์„ธ ํ”„๋กฌํ”„ํŠธ ์ œํ•œ๋จ ๊ฐ€์ด๋“œ๋ฅผ ๋”ฐ๋ฅด๋ ค ํ•˜์ง€๋งŒ ํ•ญ์ƒ ์‹ ๋ขฐ์„ฑ ์žˆ์ง€๋Š” ์•Š์Œ

ํ•ต์‹ฌ:

  • ์งง์€ ํ”„๋กฌํ”„ํŠธ โ†’ ๋ชจ๋ธ์—๊ฒŒ ๋” ๋งŽ์€ ์ฐฝ์˜์  ์ž์œ 
  • ๊ธด ํ”„๋กฌํ”„ํŠธ โ†’ ๋ชจ๋ธ์˜ ์ฐฝ์˜์„ฑ ์ œํ•œ, ๋‹น์‹ ์˜ ๊ฐ€์ด๋“œ๋ฅผ ๋”ฐ๋ฅด๋ ค ์‹œ๋„

3.3 ๊ธฐ๋ณธ ํ”„๋กฌํ”„ํŠธ ์˜ˆ์‹œ์™€ ๋ถ„์„

์งง์€ ํ”„๋กฌํ”„ํŠธ ์˜ˆ์‹œ:

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In a 90s documentary-style interview, an old Swedish man sits in a study 
and says, "I still remember when I was young."

ํ•œ๊ตญ์–ด:

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90๋…„๋Œ€ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ์Šคํƒ€์ผ ์ธํ„ฐ๋ทฐ์—์„œ, ๋‚˜์ด ๋“  ์Šค์›จ๋ด ๋‚จ์„ฑ์ด ์„œ์žฌ์— ์•‰์•„ 
"์ Š์—ˆ์„ ๋•Œ๊ฐ€ ์•„์ง๋„ ๊ธฐ์–ต๋‚˜๋„ค"๋ผ๊ณ  ๋งํ•œ๋‹ค.

์ด ํ”„๋กฌํ”„ํŠธ๊ฐ€ ํšจ๊ณผ์ ์ธ ์ด์œ :

  1. 90s documentary โ†’ ๋น„๋””์˜ค ์Šคํƒ€์ผ ์„ค์ •
    • ๋ชจ๋ธ์ด ์นด๋ฉ”๋ผ ๋ Œ์ฆˆ, ์กฐ๋ช…, ์ƒ‰ ๋ณด์ • ๋“ฑ ๋ณ€์ˆ˜๋ฅผ ์ž๋™์œผ๋กœ ์„ ํƒ
  2. an old Swedish man sits in a study โ†’ ํ”ผ์‚ฌ์ฒด์™€ ์„ค์ •์„ ์•ฝ๊ฐ„์˜ ๋””ํ…Œ์ผ๋กœ ๋ฌ˜์‚ฌ
    • ๋ชจ๋ธ์ด ์ธ๋ฌผ๊ณผ ์„ค์ •์˜ ์™ธํ˜•์— ๋Œ€ํ•ด ์ฐฝ์˜์  ์ž์œ ๋ฅผ ๊ฐ€์ง
  3. "I still remember when I was young." โ†’ ๋Œ€์‚ฌ ๋ช…์‹œ
    • Sora๊ฐ€ ์ •ํ™•ํžˆ ๋”ฐ๋ฅผ ๊ฐ€๋Šฅ์„ฑ์ด ๋†’์Œ

๋ช…์‹œ๋˜์ง€ ์•Š์€ ์š”์†Œ๋“ค์€ ๋ชจ๋ธ์ด ์•Œ์•„์„œ ๊ฒฐ์ •ํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

์˜ˆ๋ฅผ ๋“ค์–ด:

  • ์‹œ๊ฐ„๋Œ€ (์•„์นจ/์ €๋…)
  • ๋‚ ์”จ
  • ์˜์ƒ
  • ์บ๋ฆญํ„ฐ์˜ ์ •ํ™•ํ•œ ์™ธ๋ชจ์™€ ๋‚˜์ด
  • ์นด๋ฉ”๋ผ ์•ต๊ธ€
  • ์ปท ํŽธ์ง‘
  • ์„ธํŠธ ๋””์ž์ธ

โš ๏ธ ์ค‘์š”: ์ด ํ”„๋กฌํ”„ํŠธ๋Š” ์š”๊ตฌ์‚ฌํ•ญ๊ณผ ์ผ์น˜ํ•˜๋Š” ๋น„๋””์˜ค๋ฅผ ์‹ ๋ขฐ์„ฑ ์žˆ๊ฒŒ ์ƒ์„ฑํ•ฉ๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ๋งŽ์€ ์„ธ๋ถ€์‚ฌํ•ญ์ด ์—ด๋ ค์žˆ์–ด ๋‹น์‹ ์˜ ๋น„์ „๊ณผ ์ •ํ™•ํžˆ ์ผ์น˜ํ•˜์ง€ ์•Š์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์„ธ๋ถ€์‚ฌํ•ญ์„ ๊ธฐ์ˆ ํ•˜์ง€ ์•Š์œผ๋ฉด Sora๊ฐ€ ์ž„์˜๋กœ ์ƒ์„ฑํ•ฉ๋‹ˆ๋‹ค.

(์ถ”๊ฐ€) 3.4 ์—ฌ๋Ÿฌ ์ƒท์„ ํ•˜๋‚˜์˜ ํ”„๋กฌํ”„ํŠธ๋กœ ๊ธฐ์ˆ ํ•˜๊ธฐ

์‹œํ€€์Šค๋ฅผ ์ปค๋ฒ„ํ•ด์•ผ ํ•œ๋‹ค๋ฉด, ํ•˜๋‚˜์˜ ํ”„๋กฌํ”„ํŠธ์— ์—ฌ๋Ÿฌ ์ƒท์„ ๊ธฐ์ˆ ํ•˜๋Š” ๊ฒƒ๋„ ์œ ํšจํ•ฉ๋‹ˆ๋‹ค.

์ด๋ ‡๊ฒŒ ํ•  ๋•Œ๋Š” ๊ฐ ์ƒท ๋ธ”๋ก์„ ๊ตฌ๋ณ„๋˜๊ฒŒ ์œ ์ง€ํ•˜์„ธ์š”:

  • ํ•˜๋‚˜์˜ ์นด๋ฉ”๋ผ ์„ค์ •
  • ํ•˜๋‚˜์˜ ํ”ผ์‚ฌ์ฒด ์•ก์…˜
  • ํ•˜๋‚˜์˜ ์กฐ๋ช… ๋ ˆ์‹œํ”ผ

์ด๋Š” ์งง์€ ๋…๋ฆฝ ํด๋ฆฝ์ด๋‚˜ ๊ธด ์—ฐ์† ๋ชจ๋ฉ˜ํŠธ๋ฅผ ์ƒ์„ฑํ•  ์ˆ˜ ์žˆ๋Š” ์œ ์—ฐ์„ฑ์„ ์ œ๊ณตํ•ฉ๋‹ˆ๋‹ค. ๊ฐ ์ƒท์„ ์ฐฝ์˜์  ๋‹จ์œ„๋กœ ์ทจ๊ธ‰ํ•˜๋ฉด, ํŽธ์ง‘์—์„œ ์ด์–ด๋ถ™์ด๊ฑฐ๋‚˜ ํ•œ ๋ฒˆ์— ์‹œํ€€์Šค๋กœ ์žฌ์ƒํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

์˜ˆ์‹œ:

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Shot 1 (0-5s):
Wide shot, eye level. A cyclist pedals down a wet street, 
neon signs reflecting in puddles. Camera tracks left to right.

Shot 2 (5-10s):
Medium close-up. The cyclist brakes at a crosswalk, 
pauses, and looks up at the traffic light. 
Camera slowly pushes in.

ํ•œ๊ตญ์–ด:

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์ƒท 1 (0-4์ดˆ):
๋„“์€ ์ƒท, ๋ˆˆ๋†’์ด. ์ž์ „๊ฑฐ ํƒ„ ์‚ฌ๋žŒ์ด ์ –์€ ๊ฑฐ๋ฆฌ๋ฅผ ๋”ฐ๋ผ ํŽ˜๋‹ฌ์„ ๋ฐŸ๊ณ , 
๋„ค์˜จ ์‚ฌ์ธ์ด ์›…๋ฉ์ด์— ๋ฐ˜์‚ฌ๋จ. ์นด๋ฉ”๋ผ๋Š” ์ขŒ์—์„œ ์šฐ๋กœ ์ถ”์ .

์ƒท 2 (4-8์ดˆ):
์ค‘๊ฐ„ ํด๋กœ์ฆˆ์—…. ์ž์ „๊ฑฐ ํƒ„ ์‚ฌ๋žŒ์ด ํšก๋‹จ๋ณด๋„์—์„œ ๋ธŒ๋ ˆ์ดํฌ๋ฅผ ๊ฑธ๊ณ , 
๋ฉˆ์ถ”๊ณ , ์‹ ํ˜ธ๋“ฑ์„ ์˜ฌ๋ ค๋‹ค๋ด„. 
์นด๋ฉ”๋ผ๊ฐ€ ์ฒœ์ฒœํžˆ ํ‘ธ์‹œ-์ธ.

https://www.studiobinder.com/blog/ultimate-guide-to-camera-shots/


Part 2: ํ•ต์‹ฌ ์š”์†Œ ๋งˆ์Šคํ„ฐํ•˜๊ธฐ

์˜์ƒ ์ƒ์„ฑ์„ ์œ„ํ•ด์„œ๋Š” ์ดฌ์˜ ๊ธฐ๋ฒ•๊ณผ ์šฉ์–ด์— ๋Œ€ํ•œ ์ดํ•ด๊ฐ€ ํ•„์ˆ˜์ ์ž…๋‹ˆ๋‹ค.

  • Part 2์—์„œ๋Š” Sora 2 ํ”„๋กฌํ”„ํŒ…์˜ 5๊ฐ€์ง€ ํ•ต์‹ฌ ์š”์†Œ๋ฅผ ํ•˜๋‚˜์”ฉ ๊นŠ์ด ์žˆ๊ฒŒ ์‚ดํŽด๋ด…๋‹ˆ๋‹ค.

4. ์นด๋ฉ”๋ผ ํ”„๋ ˆ์ด๋ฐ

์นด๋ฉ”๋ผ ํ”„๋ ˆ์ด๋ฐ์€ ํ™”๋ฉด์— ๋ฌด์—‡์„ ์–ผ๋งˆ๋‚˜ ๋‹ด์„์ง€ ๊ฒฐ์ •ํ•ฉ๋‹ˆ๋‹ค.

  • ์˜ํ™”๋‚˜ ๋“œ๋ผ๋งˆ๋ฅผ ๋ณผ ๋•Œ ์ธ๋ฌผ์˜ ์–ผ๊ตด๋งŒ ๋ณด์ด๋Š” ์žฅ๋ฉด, ๋ฉ€๋ฆฌ์„œ ์ „์ฒด ํ’๊ฒฝ์„ ๋‹ด์€ ์žฅ๋ฉด ๋“ฑ์ด ๋ชจ๋‘ ๋‹ค๋ฅธ ํ”„๋ ˆ์ด๋ฐ์ž…๋‹ˆ๋‹ค.

์ฃผ์š” ํ”„๋ ˆ์ด๋ฐ ์œ ํ˜•:

  • Wide shot (๋„“์€ ์ƒท): ์ „์ฒด ํ™˜๊ฒฝ๊ณผ ํ”ผ์‚ฌ์ฒด๋ฅผ ๋ชจ๋‘ ๋ณด์—ฌ์คŒ
    • ์˜ˆ: โ€œ๋„์‹œ ์ „๊ฒฝ๊ณผ ๊ทธ ์•ˆ์˜ ์ž‘์€ ์ธ๋ฌผโ€
  • Medium shot (์ค‘๊ฐ„ ์ƒท): ์ธ๋ฌผ์˜ ํ—ˆ๋ฆฌ ์œ„ ์ •๋„
    • ์˜ˆ: โ€œ์ฑ…์ƒ ์•ž์— ์•‰์€ ์‚ฌ๋žŒ์˜ ์ƒ๋ฐ˜์‹ โ€
  • Close-up (ํด๋กœ์ฆˆ์—…): ์–ผ๊ตด์ด๋‚˜ ๋ฌผ์ฒด๋ฅผ ํฌ๊ฒŒ
    • ์˜ˆ: โ€œ๋ˆˆ๋ฌผ ํ˜๋ฆฌ๋Š” ๋ˆˆโ€
  • Extreme close-up (์ต์ŠคํŠธ๋ฆผ ํด๋กœ์ฆˆ์—…): ๋งค์šฐ ์„ธ๋ฐ€ํ•œ ๋ถ€๋ถ„
    • ์˜ˆ: โ€œ์†๊ฐ€๋ฝ ๋์˜ ๋ฐ˜์ง€โ€

https://www.lomography.co.kr/school/fa-redd42e5

์นด๋ฉ”๋ผ ๊ฐ๋„๋„ ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค:

  • Eye level (๋ˆˆ๋†’์ด): ์ž์—ฐ์Šค๋Ÿฝ๊ณ  ์ค‘๋ฆฝ์ 
  • Low angle (๋‚ฎ์€ ๊ฐ๋„): ํ”ผ์‚ฌ์ฒด๋ฅผ ์•„๋ž˜์—์„œ ์˜ฌ๋ ค๋‹ค๋ด„, ํ”ผ์‚ฌ์ฒด๋ฅผ ์›…์žฅํ•˜๊ฒŒ
  • High angle (๋†’์€ ๊ฐ๋„): ํ”ผ์‚ฌ์ฒด๋ฅผ ๋‚ด๋ ค๋‹ค๋ด„, ํ”ผ์‚ฌ์ฒด๋ฅผ ์ž‘๊ณ  ์•ฝํ•˜๊ฒŒ
  • Aerial/Overhead (๊ณต์ค‘): ํ•˜๋Š˜์—์„œ ๋‚ด๋ ค๋‹ค๋ณด๋Š” ์‹œ์ 

https://nineyad9.tistory.com/entry/AI-CAMERA-ANGLES

๊ตฌ์ฒด์  ์˜ˆ์‹œ:

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โŒ ์•ฝํ•œ ํ‘œํ˜„: "A person in a room"
โœ… ๊ฐ•ํ•œ ํ‘œํ˜„: "Medium shot at eye level of a person sitting at a desk"

ํ•œ๊ตญ์–ด:

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โŒ ์•ฝํ•œ ํ‘œํ˜„: "๋ฐฉ ์•ˆ์˜ ์‚ฌ๋žŒ"
โœ… ๊ฐ•ํ•œ ํ‘œํ˜„: "์ฑ…์ƒ์— ์•‰์€ ์‚ฌ๋žŒ์˜ ๋ˆˆ๋†’์ด ์ค‘๊ฐ„ ์ƒท"


5. ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„

  • ์นด๋ฉ”๋ผ ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„๋ž€ ์‚ฌ์ง„์ด๋‚˜ ์˜์ƒ์—์„œ ์ดˆ์ ์ด ๋งž๋Š” ์˜์—ญ์˜ ์•ž๋’ค ๋ฒ”์œ„๋ฅผ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
    • ์‹ฌ๋„๊ฐ€ ๊นŠ์œผ๋ฉด ๋„“์€ ๋ฒ”์œ„์— ์ดˆ์ ์ด ๋งž๊ณ , ์‹ฌ๋„๊ฐ€ ์–•์œผ๋ฉด ํŠน์ • ๋ถ€๋ถ„๋งŒ ์ดˆ์ ์ด ๋งž๊ณ  ๋‚˜๋จธ์ง€๋Š” ํ๋ฆฟํ•˜๊ฒŒ ๋‚˜ํƒ€๋‚ฉ๋‹ˆ๋‹ค.
    • ํ”ผ์‚ฌ์ฒด์™€ ์นด๋ฉ”๋ผ์˜ ๊ฑฐ๋ฆฌ, ์กฐ๋ฆฌ๊ฐœ ๊ฐ’, ๋ Œ์ฆˆ์˜ ์ดˆ์ ๊ฑฐ๋ฆฌ ๋“ฑ์ด ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„์— ์˜ํ–ฅ์„ ๋ฏธ์นฉ๋‹ˆ๋‹ค.

๋‘ ๊ฐ€์ง€ ์ฃผ์š” ์Šคํƒ€์ผ:

  • ์–•์€ ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„: ์ดˆ์ ์ด ๋งž๋Š” ๋ฒ”์œ„๊ฐ€ ์ข์•„ ํ”ผ์‚ฌ์ฒด ์ผ๋ถ€๋ถ„๋งŒ ์„ ๋ช…ํ•˜๊ณ  ๋‚˜๋จธ์ง€๋Š” ํ๋ฆฟํ•˜๊ฒŒ ๋ณด์—ฌ, ํ”ผ์‚ฌ์ฒด๋ฅผ ๋ถ€๊ฐ์‹œํ‚ค๊ณ  ๋ฐฐ๊ฒฝ์„ ํ๋ฆฌ๊ฒŒ ํ•˜๋Š” ์•„์›ƒํฌ์ปค์Šค ํšจ๊ณผ๋ฅผ ๋‚ผ ๋•Œ ์‚ฌ์šฉ๋ฉ๋‹ˆ๋‹ค.
  • ๊นŠ์€ ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„: ์ดˆ์ ์ด ๋งž๋Š” ๋ฒ”์œ„๊ฐ€ ๋„“์–ด ๋ฐฐ๊ฒฝ๊ณผ ์ „์ฒด์— ์ดˆ์ ์ด ๋งž์•„ ์„ ๋ช…ํ•œ ์‚ฌ์ง„์„ ์–ป์„ ์ˆ˜ ์žˆ์œผ๋ฉฐ, ํŒฌํฌ์ปค์Šค๋ผ๊ณ ๋„ ํ•ฉ๋‹ˆ๋‹ค.

Shallow DOF (์–•์€ ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„)

  • ํŠน์ง•: ํ”ผ์‚ฌ์ฒด๋Š” ์„ ๋ช…, ๋ฐฐ๊ฒฝ์€ ํ๋ฆฟํ•จ (๋ณด์ผ€ ํšจ๊ณผ)
  • ํšจ๊ณผ: ํ”ผ์‚ฌ์ฒด์— ์ง‘์ค‘, ๋ฐฐ๊ฒฝ ๋ถ„๋ฆฌ
  • ์‚ฌ์šฉ ์˜ˆ: ์ธ๋ฌผ ์ดฌ์˜, ๊ฐ์ •์  ์ˆœ๊ฐ„, ์ œํ’ˆ ํด๋กœ์ฆˆ์—…
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"Shallow depth of field: 
sharp focus on the woman's face, 
background cafรฉ blurred into soft bokeh"

ํ•œ๊ตญ์–ด:

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"์–•์€ ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„: 
์—ฌ์„ฑ์˜ ์–ผ๊ตด์— ์„ ๋ช…ํ•œ ์ดˆ์ , 
๋ฐฐ๊ฒฝ ์นดํŽ˜๋Š” ๋ถ€๋“œ๋Ÿฌ์šด ๋ณด์ผ€๋กœ ํ๋ฆฟํ•˜๊ฒŒ"

Deep DOF (๊นŠ์€ ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„)

  • ํŠน์ง•: ์ „๊ฒฝ๋ถ€ํ„ฐ ๋ฐฐ๊ฒฝ๊นŒ์ง€ ๋ชจ๋‘ ์„ ๋ช…
  • ํšจ๊ณผ: ๊ณต๊ฐ„๊ฐ ๊ฐ•์กฐ, ํ™˜๊ฒฝ ์ •๋ณด ์ „๋‹ฌ
  • ์‚ฌ์šฉ ์˜ˆ: ํ’๊ฒฝ, ๊ฑด์ถ•, ๊ตฐ์ค‘ ์žฅ๋ฉด, ์•ก์…˜ ์‹œํ€€์Šค
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"Deep depth of field: 
entire street scene sharp from foreground 
pedestrians to distant skyscrapers"

ํ•œ๊ตญ์–ด:

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"๊นŠ์€ ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„: 
์ „๊ฒฝ์˜ ๋ณดํ–‰์ž๋ถ€ํ„ฐ ๋จผ ๊ณ ์ธต ๋นŒ๋”ฉ๊นŒ์ง€ 
์ „์ฒด ๊ฑฐ๋ฆฌ ์žฅ๋ฉด์ด ์„ ๋ช…ํ•จ"

์‹ค์šฉ์  ๋น„๊ต:

์ƒํ™ฉ Shallow DOF Deep DOF
์ธ๋ฌผ ์ธํ„ฐ๋ทฐ โœ… ์ถ”์ฒœ (๋ฐฐ๊ฒฝ ๋ถ„๋ฆฌ) โŒ ๋ฐฐ๊ฒฝ ์ •๋ณด ๊ณผ๋‹ค
๋„์‹œ ํŒŒ๋…ธ๋ผ๋งˆ โŒ ๋””ํ…Œ์ผ ์†์‹ค โœ… ์ถ”์ฒœ (์ „์ฒด ๋ณด์ž„)
๊ฐ์ •์  ์ˆœ๊ฐ„ โœ… ์ถ”์ฒœ (์ง‘์ค‘) โŒ ์‚ฐ๋งŒํ•จ
์ถ”๊ฒฉ ์žฅ๋ฉด โŒ ๋งฅ๋ฝ ๋ถ€์กฑ โœ… ์ถ”์ฒœ (๊ณต๊ฐ„๊ฐ)

6. ์•ก์…˜๊ณผ ํƒ€์ด๋ฐ

6.1 ์•ก์…˜์„ ๋น„ํŠธ๋กœ ๋ถ„ํ• ํ•˜๊ธฐ

  • ๋น„ํŠธ(Beat)๋Š” ์˜ํ™” ์šฉ์–ด๋กœ, ํ•˜๋‚˜์˜ ์ž‘์€ ๋™์ž‘์ด๋‚˜ ์ˆœ๊ฐ„์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
  • ์•ก์…˜์„ ๋น„ํŠธ๋กœ ๋‚˜๋ˆ„๋ฉด ๋ชจ๋ธ์ด ์–ธ์ œ, ๋ฌด์—‡์„, ์–ด๋–ป๊ฒŒ ํ• ์ง€ ๋ช…ํ™•ํžˆ ์ดํ•ดํ•ฉ๋‹ˆ๋‹ค.

https://www.studiobinder.com/blog/story-beat-in-screenplay/

์™œ ๋น„ํŠธ๋กœ ๋‚˜๋ˆ ์•ผ ํ• ๊นŒ์š”?

  • ๋ง‰์—ฐํ•œ โ€œ๊ฑท๋Š”๋‹คโ€๋ณด๋‹ค โ€œ์„ธ ๊ฑธ์Œ ๊ฑท๊ณ  ๋ฉˆ์ถ˜๋‹คโ€๊ฐ€ ๋ช…ํ™•
  • ์‹œ๊ฐ„ ํ๋ฆ„์„ ์ œ์–ด ๊ฐ€๋Šฅ
  • ๋ณต์žกํ•œ ๋™์ž‘์„ ๋‹จ์ˆœํ•œ ๋‹จ๊ณ„๋กœ ๋ถ„ํ•ด

๋น„ํŠธ ์ž‘์„ฑ ์›์น™:

  1. ์ˆซ์ž๋กœ ์นด์šดํŠธ: โ€œ์„ธ ๋ฒˆโ€, โ€œ๋„ค ๊ฑธ์Œโ€, โ€œ๋‘ ๋ฒˆ ๊ณ ๊ฐœ ๋„๋•์ž„โ€
  2. ์‹œ๊ฐ„ ์•ต์ปค ์‚ฌ์šฉ: โ€œ์ฒซ 2์ดˆ์—โ€, โ€œํด๋ฆฝ ์ค‘๊ฐ„์—โ€, โ€œ๋งˆ์ง€๋ง‰ ์ˆœ๊ฐ„์—โ€
  3. ํ•˜๋‚˜์˜ ์•ก์…˜์— ์ง‘์ค‘: ํ•œ ๋ฒˆ์— ๋„ˆ๋ฌด ๋งŽ์€ ๋™์ž‘ ๊ธˆ์ง€

๊ตฌ์ฒด์  ์˜ˆ์‹œ:

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โŒ ์•ฝํ•œ ํ‘œํ˜„: 
"A chef cooks in a kitchen"

โœ… ๊ฐ•ํ•œ ํ‘œํ˜„ (๋น„ํŠธ๋กœ ๋ถ„ํ• ):
Actions:
- Chef picks up knife from counter (0-1 second)
- Chops three times on cutting board (1-2.5 seconds)
- Pauses, wipes forehead with towel (2.5-3.5 seconds)
- Reaches for salt shaker in final second

ํ•œ๊ตญ์–ด:

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โŒ ์•ฝํ•œ ํ‘œํ˜„:
"์š”๋ฆฌ์‚ฌ๊ฐ€ ๋ถ€์—Œ์—์„œ ์š”๋ฆฌํ•œ๋‹ค"

โœ… ๊ฐ•ํ•œ ํ‘œํ˜„ (๋น„ํŠธ๋กœ ๋ถ„ํ• ):
์•ก์…˜:
- ์š”๋ฆฌ์‚ฌ๊ฐ€ ์กฐ๋ฆฌ๋Œ€์—์„œ ์นผ์„ ์ง‘์–ด๋“ฆ (0-1์ดˆ)
- ๋„๋งˆ ์œ„์—์„œ ์„ธ ๋ฒˆ ์ฐ๊ธฐ (1-2.5์ดˆ)
- ๋ฉˆ์ถฐ์„œ ์ˆ˜๊ฑด์œผ๋กœ ์ด๋งˆ๋ฅผ ๋‹ฆ์Œ (2.5-3.5์ดˆ)
- ๋งˆ์ง€๋ง‰ 1์ดˆ์— ์†Œ๊ธˆํ†ต์— ์†์„ ๋ป—์Œ

Tips: ๋„ˆ๋ฌด ๋งŽ์€ ๋น„ํŠธ = ํ˜ผ๋ž€, ๋„ˆ๋ฌด ์ ์€ ๋น„ํŠธ = ์ง€๋ฃจํ•จ

  • 4์ดˆ ํด๋ฆฝ: 3-4๊ฐœ ๋น„ํŠธ ์ ์ ˆ
  • 8์ดˆ ํด๋ฆฝ: 6-8๊ฐœ ๋น„ํŠธ ์ ์ ˆ

6.2 ๋™์ž‘์€ ๋‹จ์ˆœํ•˜๊ฒŒ ์œ ์ง€

์›€์ง์ž„์€ ๊ฐ€์žฅ ์ œ์–ดํ•˜๊ธฐ ์–ด๋ ค์šด ์š”์†Œ์ด๋ฏ€๋กœ ๋‹จ์ˆœํ•˜๊ฒŒ ์œ ์ง€ํ•˜์„ธ์š”. ๊ฐ ์ƒท์€:

  • ํ•˜๋‚˜์˜ ๋ช…ํ™•ํ•œ ์นด๋ฉ”๋ผ ์›€์ง์ž„
  • ํ•˜๋‚˜์˜ ๋ช…ํ™•ํ•œ ํ”ผ์‚ฌ์ฒด ์•ก์…˜

๋น„ํŠธ(beats)๋‚˜ ์นด์šดํŠธ๋กœ ๋ฌ˜์‚ฌํ•˜๋ฉด ์‹œ๊ฐ„ ๋‚ด์—์„œ ๊ทผ๊ฑฐ๋ฅผ ๊ฐ–์ถ˜ ๋А๋‚Œ์„ ์ค๋‹ˆ๋‹ค.

์•ฝํ•œ ํ”„๋กฌํ”„ํŠธ ๊ฐ•ํ•œ ํ”„๋กฌํ”„ํŠธ
โ€œActor walks across the room.โ€ โ€œActor takes four steps to the window, pauses, and pulls the curtain in the final second.โ€

ํ•œ๊ตญ์–ด:

์•ฝํ•œ ํ”„๋กฌํ”„ํŠธ ๊ฐ•ํ•œ ํ”„๋กฌํ”„ํŠธ
โ€œ๋ฐฐ์šฐ๊ฐ€ ๋ฐฉ์„ ๊ฐ€๋กœ์งˆ๋Ÿฌ ๊ฑท๋Š”๋‹ค.โ€ โ€œ๋ฐฐ์šฐ๊ฐ€ ์ฐฝ๋ฌธ๊นŒ์ง€ ๋„ค ๊ฑธ์Œ์„ ๊ฑท๊ณ , ๋ฉˆ์ถ”๊ณ , ๋งˆ์ง€๋ง‰ 1์ดˆ์— ์ปคํŠผ์„ ๋‹น๊ธด๋‹ค.โ€

7. ์กฐ๋ช…๊ณผ ์ƒ‰์ƒ

7.1 ์กฐ๋ช…์˜ 3๊ฐ€์ง€ ํ•ต์‹ฌ ์š”์†Œ

์กฐ๋ช…์€ ๋ถ„์œ„๊ธฐ๋ฅผ ๋งŒ๋“œ๋Š” ๊ฐ€์žฅ ๊ฐ•๋ ฅํ•œ ๋„๊ตฌ์ž…๋‹ˆ๋‹ค. ๊ฐ™์€ ์žฅ๋ฉด๋„ ์กฐ๋ช…์— ๋”ฐ๋ผ ์™„์ „ํžˆ ๋‹ค๋ฅธ ๋А๋‚Œ์„ ์ค๋‹ˆ๋‹ค.

โ‘  ์กฐ๋ช…์˜ ๋ฐฉํ–ฅ

  • Key light (์ฃผ๊ด‘): ์ฃผ๋œ ๊ด‘์›
    • โ€œNatural sunlight from camera leftโ€ (์นด๋ฉ”๋ผ ์™ผ์ชฝ์—์„œ ์˜ค๋Š” ์ž์—ฐ๊ด‘)
    • โ€œOverhead harsh fluorescentโ€ (์œ„์—์„œ ์˜ค๋Š” ๊ฑฐ์นœ ํ˜•๊ด‘๋“ฑ)
  • Fill light (๋ณด์กฐ๊ด‘): ๊ทธ๋ฆผ์ž๋ฅผ ์ฑ„์šฐ๋Š” ๋น›
    • โ€œSoft fill from reflectorโ€ (๋ฐ˜์‚ฌํŒ์—์„œ ์˜ค๋Š” ๋ถ€๋“œ๋Ÿฌ์šด ๋ณด์กฐ๊ด‘)
  • Back light / Rim light (์—ญ๊ด‘/๋ฆผ ๋ผ์ดํŠธ): ๋’ค์—์„œ ํ”ผ์‚ฌ์ฒด ์œค๊ณฝ์„ ๊ทธ๋ฆฌ๋Š” ๋น›
    • โ€œGolden rim from setting sunโ€ (์ง€๋Š” ํ•ด์—์„œ ์˜ค๋Š” ํ™ฉ๊ธˆ๋น› ๋ฆผ)

https://www.gklibrarykor.com/2400/

โ‘ก ์กฐ๋ช…์˜ ํ’ˆ์งˆ

  • Hard light (๊ฐ•ํ•œ ๋น›): ๋‚ ์นด๋กœ์šด ๊ทธ๋ฆผ์ž, ๊ทน์ , ๊ธด์žฅ๊ฐ
    • โ€œSingle bare bulb casting sharp shadowsโ€
  • Soft light (๋ถ€๋“œ๋Ÿฌ์šด ๋น›): ํ™•์‚ฐ๋œ ๋น›, ์˜จํ™”ํ•จ, ์ž์—ฐ์Šค๋Ÿฌ์›€
    • โ€œDiffused window light, no harsh shadowsโ€

โ‘ข ์ƒ‰์˜จ๋„

  • Warm (๋”ฐ๋œปํ•œ): ์˜ค๋ Œ์ง€/์•ฐ๋ฒ„ ํ†ค (์„์–‘, ์ด›๋ถˆ, ๋ฐฑ์—ด๋“ฑ)
    • โ€œWarm tungsten glowโ€
  • Cool (์ฐจ๊ฐ€์šด): ํŒŒ๋ž€/ํ‹ธ ํ†ค (์ƒˆ๋ฒฝ, ํ˜•๊ด‘๋“ฑ, ๋‹ฌ๋น›)
    • โ€œCool moonlight through windowโ€

https://brunch.co.kr/@jinikjun/242

7.2 ํŒ”๋ ˆํŠธ ๊ตฌ์„ฑํ•˜๊ธฐ

ํŒ”๋ ˆํŠธ๋Š” ์˜์ƒ์—์„œ ์‚ฌ์šฉ๋  ์ฃผ์š” ์ƒ‰์ƒ๋“ค์ž…๋‹ˆ๋‹ค. (์ •์˜: ์กฐํ™”๋กœ์šด ๋””์ž์ธ์„ ์œ„ํ•ด ์‚ฌ์šฉ๋˜๋Š” ์ƒ‰์ƒ์˜ ์ง‘ํ•ฉ)

  • 3-5๊ฐœ ์ƒ‰์ƒ์„ ์ง€์ •ํ•˜๋ฉด ์—ฌ๋Ÿฌ ์ƒท์—์„œ ์ผ๊ด€์„ฑ์„ ์œ ์ง€ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

https://www.aitimes.com/news/articleView.html?idxno=146766

ํŒ”๋ ˆํŠธ ์ž‘์„ฑ ๋ฐฉ๋ฒ•:

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Palette anchors: [์ฃผ์ƒ‰์ƒ], [๋ณด์กฐ์ƒ‰์ƒ], [๊ฐ•์กฐ์ƒ‰์ƒ]

๊ตฌ์ฒด์  ์˜ˆ์‹œ - ๋”ฐ๋œปํ•œ ์นดํŽ˜:

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Lighting + palette:
- Soft window light from right (natural, diffused)
- Warm Edison bulbs overhead
- Cool blue spill from street outside for contrast

Palette anchors: amber, cream, walnut brown, slate blue (accent)

ํ•œ๊ตญ์–ด:

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์กฐ๋ช… + ํŒ”๋ ˆํŠธ:
- ์˜ค๋ฅธ์ชฝ์—์„œ ๋“ค์–ด์˜ค๋Š” ๋ถ€๋“œ๋Ÿฌ์šด ์ฐฝ๋ฌธ ๋น› (์ž์—ฐ๊ด‘, ํ™•์‚ฐ๋จ)
- ๋จธ๋ฆฌ ์œ„ ๋”ฐ๋œปํ•œ ์—๋””์Šจ ์ „๊ตฌ๋“ค
- ๋Œ€๋น„๋ฅผ ์œ„ํ•ด ๋ฐ– ๊ฑฐ๋ฆฌ์—์„œ ์˜ค๋Š” ์ฐจ๊ฐ€์šด ํŒŒ๋ž€ ์Šคํ•„

ํŒ”๋ ˆํŠธ ์•ต์ปค: ์•ฐ๋ฒ„, ํฌ๋ฆผ, ์›”๋„› ๋ธŒ๋ผ์šด, ์Šฌ๋ ˆ์ดํŠธ ๋ธ”๋ฃจ (๊ฐ•์กฐ)

์•ฝํ•œ vs ๊ฐ•ํ•œ ๋น„๊ต:

์•ฝํ•œ ํ”„๋กฌํ”„ํŠธ ๊ฐ•ํ•œ ํ”„๋กฌํ”„ํŠธ
โ€œBright roomโ€ โ€œSoft window light with warm lamp fill, cool rim from hallway. Palette: amber, cream, walnutโ€
โ€œDark sceneโ€ โ€œSingle hard key from camera left, no fill. Deep shadows. Palette: steel gray, charcoal, midnight blueโ€
โ€œColorfulโ€ โ€œVibrant neon signs reflecting in wet street. Palette: cyan, magenta, electric yellow, deep purpleโ€

7.3 ์กฐ๋ช… ์ผ๊ด€์„ฑ ์œ ์ง€ํ•˜๊ธฐ

๋น›์€ ์•ก์…˜์ด๋‚˜ ์„ค์ •๋งŒํผ ๋ถ„์œ„๊ธฐ๋ฅผ ๊ฒฐ์ •ํ•ฉ๋‹ˆ๋‹ค.

  • ํ”„๋ ˆ์ž„ ์ „์ฒด์˜ ํ™•์‚ฐ๊ด‘(diffuse light)์€ ์ฐจ๋ถ„ํ•˜๊ณ  ์ค‘๋ฆฝ์ ์œผ๋กœ ๋А๊ปด์ง€๋ฉฐ, ๋‹จ์ผ ๊ฐ•ํ•œ ๊ด‘์›์€ ๋‚ ์นด๋กœ์šด ๋Œ€๋น„์™€ ๊ธด์žฅ๊ฐ์„ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
  • ์—ฌ๋Ÿฌ ํด๋ฆฝ์„ ํ•จ๊ป˜ ํŽธ์ง‘ํ•  ๋•Œ, ์กฐ๋ช… ๋…ผ๋ฆฌ์˜ ์ผ๊ด€์„ฑ์ด ํŽธ์ง‘์„ ๋งค๋„๋Ÿฝ๊ฒŒ ๋งŒ๋“ญ๋‹ˆ๋‹ค.

๐Ÿ’ก ํ•ต์‹ฌ: ๋น›์˜ ํ’ˆ์งˆ๊ณผ ์ƒ‰์ƒ ์•ต์ปค๋ฅผ ๋ชจ๋‘ ๊ธฐ์ˆ ํ•˜์„ธ์š”. 3-5๊ฐœ ์ƒ‰์ƒ์„ ๋ช…๋ช…ํ•˜๋ฉด ์—ฌ๋Ÿฌ ์ƒท์—์„œ ํŒ”๋ ˆํŠธ๋ฅผ ์•ˆ์ •์ ์œผ๋กœ ์œ ์ง€ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.


8. ํ”ผ์‚ฌ์ฒด ๊ณ ์ •

8.1 ์™œ ์„ธ๋ถ€์‚ฌํ•ญ์ด ์ค‘์š”ํ•œ๊ฐ€?

ํ”ผ์‚ฌ์ฒด๋ฅผ ๋ช‡ ๊ฐ€์ง€ ๋…ํŠนํ•œ ์„ธ๋ถ€์‚ฌํ•ญ์œผ๋กœ ๊ณ ์ •ํ•˜๋ฉด, ์—ฌ๋Ÿฌ ์ƒท์—์„œ๋„ ๋™์ผํ•œ ์บ๋ฆญํ„ฐ๋‚˜ ๋ฌผ์ฒด๋กœ ์ธ์‹๋ฉ๋‹ˆ๋‹ค.

๋ชจ๋ธ์—๊ฒŒ โ€œa manโ€์ด๋ผ๊ณ ๋งŒ ํ•˜๋ฉด:

  • ์ฒซ ๋ฒˆ์งธ ์ƒ์„ฑ: ๊ฒ€์€ ๋จธ๋ฆฌ, ์–‘๋ณต
  • ๋‘ ๋ฒˆ์งธ ์ƒ์„ฑ: ๊ธˆ๋ฐœ, ํ‹ฐ์…”์ธ 
  • ์ผ๊ด€์„ฑ ์—†์Œ!

๋ชจ๋ธ์—๊ฒŒ โ€œa man with graying beard, navy peacoat, wire-rim glassesโ€๋ผ๊ณ  ํ•˜๋ฉด:

  • ์ฒซ ๋ฒˆ์งธ ์ƒ์„ฑ: ํšŒ์ƒ‰ ์ˆ˜์—ผ, ๋„ค์ด๋น„ ํ”ผ์ฝ”ํŠธ, ์ฒ ํ…Œ ์•ˆ๊ฒฝ
  • ๋‘ ๋ฒˆ์งธ ์ƒ์„ฑ: (๊ฑฐ์˜ ๋™์ผํ•œ ์™ธ๋ชจ)
  • ์ผ๊ด€์„ฑ ์œ ์ง€!

8.2 ํšจ๊ณผ์ ์ธ ํŠน์ง• ์„ ํƒ

์ธ๋ฌผ ๊ณ ์ • - 3-5๊ฐœ ํŠน์ง•:

  1. ์˜์ƒ: โ€œnavy peacoatโ€, โ€œred silk dressโ€, โ€œworn denim jacketโ€
  2. ํ—ค์–ด/์–ผ๊ตด: โ€œgraying beardโ€, โ€œcurly hairโ€, โ€œsharp eyesโ€
  3. ์•ก์„ธ์„œ๋ฆฌ: โ€œwire-rim glassesโ€, โ€œsilver watchโ€, โ€œleather backpackโ€
  4. ๋‚˜์ด/์ฒด๊ฒฉ: โ€œmid-30sโ€, โ€œelderlyโ€, โ€œathletic buildโ€

๋ฌผ์ฒด ๊ณ ์ •:

  1. ์žฌ์งˆ: โ€œweathered woodโ€, โ€œpolished chromeโ€, โ€œmatte blackโ€
  2. ์ƒํƒœ: โ€œdentedโ€, โ€œpristineโ€, โ€œrust-spottedโ€
  3. ๋…ํŠนํ•œ ํŠน์ง•: โ€œchipped cornerโ€, โ€œscratched surfaceโ€, โ€œmismatched buttonsโ€

๊ตฌ์ฒด์  ์˜ˆ์‹œ:

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โŒ ์•ฝํ•œ ๊ณ ์ •: "A woman enters a cafรฉ"
โœ… ๊ฐ•ํ•œ ๊ณ ์ •: "A woman in her late 20s, flowing red silk dress, barefoot, 
curly hair glowing in light, enters a cafรฉ"

ํ•œ๊ตญ์–ด:

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โŒ ์•ฝํ•œ ๊ณ ์ •: "์—ฌ์„ฑ์ด ์นดํŽ˜์— ๋“ค์–ด์˜จ๋‹ค"
โœ… ๊ฐ•ํ•œ ๊ณ ์ •: "20๋Œ€ ํ›„๋ฐ˜ ์—ฌ์„ฑ, ํ๋ฅด๋Š” ๋ถ‰์€ ์‹คํฌ ๋“œ๋ ˆ์Šค, ๋งจ๋ฐœ, 
๋น› ์†์—์„œ ๋น›๋‚˜๋Š” ๊ณฑ์Šฌ๋จธ๋ฆฌ, ์นดํŽ˜์— ๋“ค์–ด์˜จ๋‹ค"

์ฑ„ํŒ… 1 ์ƒ์„ฑ ๊ฒฐ๊ณผ

์ฑ„ํŒ… 2 ์ƒ์„ฑ ๊ฒฐ๊ณผ

๐Ÿ’ก KEY POINT : ์ฑ„ํŒ… 1๊ณผ ์ฑ„ํŒ… 2์˜ ์บ๋ฆญํ„ฐ์˜ ์ผ๊ด€์„ฑ์ด ์œ ์ง€๋˜๋Š” ๊ฒƒ์„ ํ™•์ธํ•  ์ˆ˜ ์žˆ์Œ

์‹ค์ „ ํ…œํ”Œ๋ฆฟ:

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[Age/Build], [Distinctive clothing item], [Hair/facial feature], 
[Accessory], [One unique detail]

์˜ˆ: "Mid-30s traveler, navy coat, backpack on one shoulder, 
holding phone loosely, slight stubble"

Part 3: ๊ณ ๊ธ‰ ๊ธฐ๋ฒ•

9. Ultra-Detailed ํ”„๋กฌํ”„ํŠธ

9.1 ์–ธ์ œ ์‚ฌ์šฉํ•˜๋Š”๊ฐ€

๋ณต์žกํ•˜๊ณ  ์‹œ๋„ค๋งˆํ‹ฑํ•œ ์ƒท์„ ์œ„ํ•ด์„œ๋Š” ์ „๋ฌธ ์ œ์ž‘ ์šฉ์–ด๋กœ ๋ฃฉ(look), ์นด๋ฉ”๋ผ ์„ค์ •, ๊ทธ๋ ˆ์ด๋”ฉ, ์‚ฌ์šด๋“œ์Šค์ผ€์ดํ”„, ์ƒท ๊ทผ๊ฑฐ๊นŒ์ง€ ์ง€์ •ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

  • ์ด๋Š” ๊ฐ๋…์ด ์นด๋ฉ”๋ผ ํฌ๋ฃจ๋‚˜ VFX ํŒ€์—๊ฒŒ ๋ธŒ๋ฆฌํ•‘ํ•˜๋Š” ๋ฐฉ์‹๊ณผ ์œ ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
  • ๋ Œ์ฆˆ, ํ•„ํ„ฐ, ์กฐ๋ช…, ๊ทธ๋ ˆ์ด๋”ฉ, ๋™์ž‘์— ๋Œ€ํ•œ ์ƒ์„ธํ•œ ํ๋Š” ๋ชจ๋ธ์ด ๋งค์šฐ ๊ตฌ์ฒด์ ์ธ ๋ฏธํ•™์— ๊ณ ์ •๋˜๋„๋ก ๋•์Šต๋‹ˆ๋‹ค.

VFX ํŒ€์ด๋ž€?

  • VFX(Visual Effects) ํŒ€์€ ์˜ํ™”, ๋“œ๋ผ๋งˆ ๋“ฑ ์˜์ƒ ์ฝ˜ํ…์ธ ์— ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์Šค(CG) ๋“ฑ์„ ํ™œ์šฉํ•ด ์‹ค์ œ ์ดฌ์˜์ด ์–ด๋ ต๊ฑฐ๋‚˜ ๋ถˆ๊ฐ€๋Šฅํ•œ ์‹œ๊ฐ ํšจ๊ณผ๋ฅผ ๊ตฌํ˜„ํ•˜๋Š” ์ „๋ฌธ๊ฐ€ ๊ทธ๋ฃน์ž…๋‹ˆ๋‹ค.
    • ์ด ํŒ€์€ ์‹œ๋‚˜๋ฆฌ์˜ค์— ๋”ฐ๋ผ ํ˜„์‹ค์„ ์žฌํ˜„ํ•˜๊ฑฐ๋‚˜ ์ƒ์ƒ ์†์˜ ์„ธ๊ณ„๋ฅผ ์ฐฝ์กฐํ•˜๋ฉฐ, 3D ๋ชจ๋ธ๋ง, ์• ๋‹ˆ๋ฉ”์ด์…˜, ๋ผ์ดํŒ…, ํ•ฉ์„ฑ ๋“ฑ ๋‹ค์–‘ํ•œ ๊ธฐ์ˆ ์„ ์‚ฌ์šฉํ•ด ๊ฐ๋…์ด ์›ํ•˜๋Š” ์˜์ƒ์„ ๋งŒ๋“ค์–ด๋ƒ…๋‹ˆ๋‹ค.

์ด๋Ÿฐ ์ˆ˜์ค€์˜ ๋””ํ…Œ์ผ์ด ํ•„์š”ํ•œ ๊ฒฝ์šฐ:

  • ์‹ค์ œ ์˜ํ™” ์ดฌ์˜ ์Šคํƒ€์ผ ๋งค์นญ (IMAX, 35mm ํ•ธ๋“œํ—ฌ๋“œ, ๋นˆํ‹ฐ์ง€ 16mm ๋‹คํ)
  • ์—ฌ๋Ÿฌ ์ƒท ๊ฐ„ ์—„๊ฒฉํ•œ ์—ฐ์†์„ฑ ์œ ์ง€
  • ํŠน์ • ๊ฐ๋… ์Šคํƒ€์ผ ์žฌํ˜„

9.2 ์ƒ์„ธ ํ”„๋กฌํ”„ํŠธ ์˜ˆ์‹œ

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Format & Look
Duration 4s; 180ยฐ shutter; digital capture emulating 65 mm photochemical contrast; 
fine grain; subtle halation on speculars; no gate weave.

Lenses & Filtration
32 mm / 50 mm spherical primes; Black Pro-Mist 1/4; 
slight CPL rotation to manage glass reflections on train windows.

Grade / Palette
Highlights: clean morning sunlight with amber lift.
Mids: balanced neutrals with slight teal cast in shadows.
Blacks: soft, neutral with mild lift for haze retention.

Lighting & Atmosphere
Natural sunlight from camera left, low angle (07:30 AM).
Bounce: 4ร—4 ultrabounce silver from trackside.
Negative fill from opposite wall.
Practical: sodium platform lights on dim fade.
Atmos: gentle mist; train exhaust drift through light beam.

Location & Framing
Urban commuter platform, dawn.
Foreground: yellow safety line, coffee cup on bench.
Midground: waiting passengers silhouetted in haze.
Background: arriving train braking to a stop.
Avoid signage or corporate branding.

Wardrobe / Props / Extras
Main subject: mid-30s traveler, navy coat, backpack slung on one shoulder, 
holding phone loosely at side.
Extras: commuters in muted tones; one cyclist pushing bike.
Props: paper coffee cup, rolling luggage, LED departure board (generic destinations).

Sound
Diegetic only: faint rail screech, train brakes hiss, 
distant announcement muffled (-20 LUFS), low ambient hum.
Footsteps and paper rustle; no score or added foley.

Optimized Shot List (2 shots / 4 s total)

0.00โ€“2.40 โ€” "Arrival Drift" (32 mm, shoulder-mounted slow dolly left)
Camera slides past platform signage edge; shallow focus reveals traveler mid-frame 
looking down tracks. Morning light blooms across lens; train headlights flare softly 
through mist. Purpose: establish setting and tone, hint anticipation.

2.40โ€“4.00 โ€” "Turn and Pause" (50 mm, slow arc in)
Cut to tighter over-shoulder arc as train halts; traveler turns slightly toward camera, 
catching sunlight rim across cheek and phone screen reflection. Eyes flick up toward 
something unseen. Purpose: create human focal moment with minimal motion.

Camera Notes (Why It Reads)
Keep eyeline low and close to lens axis for intimacy.
Allow micro flares from train glass as aesthetic texture.
Preserve subtle handheld imperfection for realism.
Do not break silhouette clarity with overexposed flare; retain skin highlight roll-off.

Finishing
Fine-grain overlay with mild chroma noise for realism; 
restrained halation on practicals; warm-cool LUT for morning split tone.
Mix: prioritize train and ambient detail over footstep transients.
Poster frame: traveler mid-turn, golden rim light, 
arriving train soft-focus in background haze.

9.3 ์‹œ๊ฐ์  ๋‹จ์„œ ํ™œ์šฉ

์Šคํƒ€์ผ: ๊ฐ€์žฅ ๊ฐ•๋ ฅํ•œ ๋ ˆ๋ฒ„

  • ํ”„๋กฌํ”„ํŠธ ์ž‘์„ฑ์—์„œ ์Šคํƒ€์ผ(style)์€ ์›ํ•˜๋Š” ๊ฒฐ๊ณผ๋ฅผ ๊ฐ€์ด๋“œํ•˜๋Š” ๊ฐ€์žฅ ๊ฐ•๋ ฅํ•œ ์š”์†Œ์ž…๋‹ˆ๋‹ค.
  • ์ „์ฒด ๋ฏธํ•™์„ ์„ค๋ช…ํ•˜๋Š” ๊ฒƒ์ด ๋‹ค๋ฅธ ๋ชจ๋“  ์„ ํƒ์„ ํ”„๋ ˆ์ž„ํ•ฉ๋‹ˆ๋‹ค.

์Šคํƒ€์ผ ์„ค์ • ์˜ˆ์‹œ:

  • "1970s film" โ†’ ๊ทธ๋ ˆ์ธ, ๋นˆํ‹ฐ์ง€ ์ƒ‰์ƒ, ๋ถ€๋“œ๋Ÿฌ์šด ์ดˆ์ 
  • "epic, IMAX-scale scene" โ†’ ์›…์žฅํ•œ ์Šค์ผ€์ผ, ๊นŠ์€ DOF, ๊ทน์  ์กฐ๋ช…
  • "16mm black-and-white film" โ†’ ๊ณ ๋Œ€๋น„, ๊ฑฐ์นœ ๊ทธ๋ ˆ์ธ, ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ๋А๋‚Œ

๋ช…ํ™•์„ฑ์ด ์Šน๋ฆฌํ•œ๋‹ค

  • ๋ง‰์—ฐํ•œ ๋‹จ์„œ ๋Œ€์‹  ๊ตฌ์ฒด์ ์ธ ์‹œ๊ฐ์  ์š”์†Œ๋ฅผ ์‚ฌ์šฉํ•˜์„ธ์š”.
์•ฝํ•œ ํ”„๋กฌํ”„ํŠธ ๊ฐ•ํ•œ ํ”„๋กฌํ”„ํŠธ
โ€œA beautiful street at nightโ€ โ€œWet asphalt, zebra crosswalk, neon signs reflecting in puddlesโ€
โ€œPerson moves quicklyโ€ โ€œCyclist pedals three times, brakes, and stops at crosswalkโ€
โ€œCinematic lookโ€ โ€œAnamorphic 2.0x lens, shallow DOF, volumetric lightโ€

์นด๋ฉ”๋ผ ๋ฐฉํ–ฅ๊ณผ ํ”„๋ ˆ์ด๋ฐ

  • ์นด๋ฉ”๋ผ ์„ค์ •์€ ์ƒท์˜ ๋А๋‚Œ์„ ๊ฒฐ์ •ํ•ฉ๋‹ˆ๋‹ค.

ํ”„๋ ˆ์ด๋ฐ ์˜ˆ์‹œ:

  • wide establishing shot, eye level (๋„“์€ ์„ค์ • ์ƒท, ๋ˆˆ๋†’์ด)
  • wide shot, tracking left to right with the charge (๋„“์€ ์ƒท, ์ขŒ์—์„œ ์šฐ๋กœ ์ถ”์ )
  • aerial wide shot, slight downward angle (๊ณต์ค‘ ๋„“์€ ์ƒท, ์•ฝ๊ฐ„ ์•„๋ž˜ ๊ฐ๋„)
  • medium close-up shot, slight angle from behind (์ค‘๊ฐ„ ํด๋กœ์ฆˆ์—… ์ƒท, ๋’ค์—์„œ ์•ฝ๊ฐ„ ๊ฐ๋„)

์นด๋ฉ”๋ผ ์›€์ง์ž„ ์˜ˆ์‹œ:

  • slowly tilting camera (์ฒœ์ฒœํžˆ ๊ธฐ์šธ์ด๋Š” ์นด๋ฉ”๋ผ)
  • handheld eng camera (ํ•ธ๋“œํ—ฌ๋“œ ENG ์นด๋ฉ”๋ผ)

ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„์™€ ์กฐ๋ช… ํ†ตํ•ฉ

  • ์•ฝํ•œ ๋ฒ„์ „๊ณผ ๊ฐ•ํ•œ ๋ฒ„์ „์„ ๋น„๊ตํ•˜๋ฉด ์ฐจ์ด๊ฐ€ ๋ช…ํ™•ํ•ฉ๋‹ˆ๋‹ค:

์•ฝํ•œ ๋ฒ„์ „:

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Camera shot: cinematic look

๊ฐ•ํ•œ ๋ฒ„์ „:

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Camera shot: wide shot, low angle
Depth of field: shallow (sharp on subject, blurred background)
Lighting + palette: warm backlight with soft rim

ํ•œ๊ตญ์–ด:

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์นด๋ฉ”๋ผ ์ƒท: ๋„“์€ ์ƒท, ๋‚ฎ์€ ์•ต๊ธ€
ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„: ์–•์Œ (ํ”ผ์‚ฌ์ฒด๋Š” ์„ ๋ช…, ๋ฐฐ๊ฒฝ์€ ํ๋ฆผ)
์กฐ๋ช… + ํŒ”๋ ˆํŠธ: ๋ถ€๋“œ๋Ÿฌ์šด ๋ฆผ์ด ์žˆ๋Š” ๋”ฐ๋œปํ•œ ์—ญ๊ด‘

10. ์ด๋ฏธ์ง€ ์ž…๋ ฅ ํ™œ์šฉ

10.1 ์‹œ๊ฐ์  ๋ ˆํผ๋Ÿฐ์Šค ํ™œ์šฉ

  • ์ƒท์˜ ๊ตฌ์„ฑ๊ณผ ์Šคํƒ€์ผ์„ ๋” ์„ธ๋ฐ€ํ•˜๊ฒŒ ์ œ์–ดํ•˜๋ ค๋ฉด ์ด๋ฏธ์ง€ ์ž…๋ ฅ์„ ์‹œ๊ฐ์  ๋ ˆํผ๋Ÿฐ์Šค๋กœ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์‚ฌ์ง„, ๋””์ง€ํ„ธ ์•„ํŠธ์›Œํฌ, AI ์ƒ์„ฑ ๋น„์ฃผ์–ผ์„ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

    • ์ด๋Š” ์บ๋ฆญํ„ฐ ๋””์ž์ธ, ์˜์ƒ, ์„ธํŠธ ๋“œ๋ ˆ์‹ฑ, ์ „์ฒด ๋ฏธํ•™ ๊ฐ™์€ ์š”์†Œ๋ฅผ ๊ณ ์ •ํ•ฉ๋‹ˆ๋‹ค. ๋ชจ๋ธ์€ ์ด๋ฏธ์ง€๋ฅผ ์ฒซ ํ”„๋ ˆ์ž„์˜ ์•ต์ปค๋กœ ์‚ฌ์šฉํ•˜๋ฉฐ, ํ…์ŠคํŠธ ํ”„๋กฌํ”„ํŠธ๋Š” ๋‹ค์Œ์— ์ผ์–ด๋‚  ์ผ์„ ์ •์˜ํ•ฉ๋‹ˆ๋‹ค.

10.2 ์‚ฌ์šฉ ๋ฐฉ๋ฒ•

  1. POST /videos ์š”์ฒญ์—์„œ input_reference ํŒŒ๋ผ๋ฏธํ„ฐ์— ์ด๋ฏธ์ง€ ํŒŒ์ผ ํฌํ•จ
  2. ์ด๋ฏธ์ง€๋Š” ํƒ€๊ฒŸ ๋น„๋””์˜ค์˜ ํ•ด์ƒ๋„(size)์™€ ์ผ์น˜ํ•ด์•ผ ํ•จ
  3. ์ง€์› ํฌ๋งท: image/jpeg, image/png, image/webp

https://cookbook.openai.com/examples/sora/sora2_prompting_guide#visual-cues-that-steer-the-look

10.3 ์‹คํ—˜ ํŒ

  • ๋ ˆํผ๋Ÿฐ์Šค๊ฐ€ ์—†๋‹ค๋ฉด OpenAI์˜ ์ด๋ฏธ์ง€ ์ƒ์„ฑ ๋ชจ๋ธ์„ ํ™œ์šฉํ•˜์„ธ์š”. ํ™˜๊ฒฝ๊ณผ ์žฅ๋ฉด ๋””์ž์ธ์„ ๋น ๋ฅด๊ฒŒ ์ƒ์„ฑํ•˜๊ณ , ์ด๋ฅผ Sora์˜ ๋ ˆํผ๋Ÿฐ์Šค๋กœ ์ „๋‹ฌํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ด๋Š” ๋ฏธํ•™์„ ํ…Œ์ŠคํŠธํ•˜๊ณ  ๋น„๋””์˜ค์˜ ์•„๋ฆ„๋‹ค์šด ์‹œ์ž‘์ ์„ ์ƒ์„ฑํ•˜๋Š” ํ›Œ๋ฅญํ•œ ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค.

11. ๋Œ€ํ™”์™€ ์˜ค๋””์˜ค

11.1 ๋Œ€ํ™” ๊ธฐ์ˆ  ๋ฐฉ๋ฒ•

  • ๋Œ€ํ™”๋Š” ํ”„๋กฌํ”„ํŠธ์—์„œ ์ง์ ‘ ๊ธฐ์ˆ ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
    • ์‚ฐ๋ฌธ ์„ค๋ช… ์•„๋ž˜ ๋ธ”๋ก์— ๋ฐฐ์น˜ํ•˜์—ฌ ๋ชจ๋ธ์ด ์‹œ๊ฐ์  ์„ค๋ช…๊ณผ ๋Œ€์‚ฌ๋ฅผ ๋ช…ํ™•ํžˆ ๊ตฌ๋ถ„ํ•˜๋„๋ก ํ•ฉ๋‹ˆ๋‹ค.

๋Œ€์‚ฌ ์ž‘์„ฑ ์›์น™:

  • ๊ฐ„๊ฒฐํ•˜๊ณ  ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์œ ์ง€
  • ํด๋ฆฝ ๊ธธ์ด์— ๋งž๊ฒŒ ๋ช‡ ๋ฌธ์žฅ์œผ๋กœ ์ œํ•œ
  • ๋‹ค์ค‘ ์บ๋ฆญํ„ฐ ์”ฌ์—์„œ๋Š” ์Šคํ”ผ์ปค๋ฅผ ์ผ๊ด€๋˜๊ฒŒ ๋ผ๋ฒจ๋ง
  • ๊ต๋Œ€ ํ„ด(alternating turns) ์‚ฌ์šฉ:
    • ๊ฐ ๋Œ€์‚ฌ๋ฅผ ์˜ฌ๋ฐ”๋ฅธ ์บ๋ฆญํ„ฐ์˜ ์ œ์Šค์ฒ˜/ํ‘œ์ •๊ณผ ์—ฐ๊ฒฐ

ํƒ€์ด๋ฐ ๊ณ ๋ ค:

  • 4์ดˆ ์ƒท: 1-2๊ฐœ ์งง์€ ๊ตํ™˜ ์ˆ˜์šฉ
  • 8์ดˆ ์ƒท: ๋ช‡ ๊ฐœ ๋” ๊ฐ€๋Šฅ
  • ๊ธด ๋ณต์žกํ•œ ์—ฐ์„ค์€ ๋™๊ธฐํ™”๊ฐ€ ์–ด๋ ต๊ณ  ํŽ˜์ด์‹ฑ์„ ๊นฐ ์ˆ˜ ์žˆ์Œ

11.2 ๋Œ€ํ™” ํฌํ•จ ํ”„๋กฌํ”„ํŠธ ์˜ˆ์‹œ

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A cramped, windowless room with walls the color of old ash. A single bare bulb dangles from the ceiling, its light pooling onto the scarred metal table at the center. 

Two chairs face each other across it. On one side sits the Detective, trench coat draped across the back of his chair, eyes sharp and unblinking. 

Across from him, the Suspect slouches, cigarette smoke curling lazily toward the ceiling. The silence presses in, broken only by the faint hum of the overhead light.

Dialogue:
- Detective: "You're lying. I can hear it in your silence."
- Suspect: "Or maybe I'm just tired of talking."
- Detective: "Either way, you'll talk before the night's over."

11.3 ๋ฐฐ๊ฒฝ ์‚ฌ์šด๋“œ ๋ฌ˜์‚ฌ

  • ์ƒท์ด ๋ฌด(็„ก)์„ฑ์ด ์•„๋‹ˆ๋ผ๋ฉด, ์ž‘์€ ์‚ฌ์šด๋“œ ํ•˜๋‚˜๋กœ ํŽ˜์ด์‹ฑ ํ๋ฅผ ์ œ๊ณตํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
    • ์ด๋ฅผ ์ „์ฒด ์‚ฌ์šด๋“œํŠธ๋ž™๋ณด๋‹ค๋Š” ๋ฆฌ๋“ฌ ํ๋กœ ์ƒ๊ฐํ•˜์„ธ์š”.

์˜ˆ์‹œ:

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The hum of espresso machines and the murmur of voices form the background.

12. Remix๋กœ ๊ฐœ์„ ํ•˜๊ธฐ

12.1 ์ „๋žต์  ์‚ฌ์šฉ

  • Remix๋Š” ๋ฏธ์„ธ ์กฐ์ •์„ ์œ„ํ•œ ๋„๊ตฌ์ด์ง€ ๋ฌด์ž‘์œ„ ์‹œ๋„๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค.
    • ์ œ์–ด๋œ ๋ณ€๊ฒฝ์„ ํ•œ ๋ฒˆ์— ํ•˜๋‚˜์”ฉ ์ˆ˜ํ–‰ํ•˜์„ธ์š”.

์‚ฌ์šฉ ์›์น™:

  1. ๋ณ€๊ฒฝ ์‚ฌํ•ญ ๋ช…์‹œ: โ€œsame shot, switch to 85 mmโ€ (๊ฐ™์€ ์ƒท, 85mm๋กœ ์ „ํ™˜)
  2. ์„ฑ๊ณต ์š”์†Œ ๊ณ ์ •: โ€œsame lighting, new palette: teal, sand, rustโ€ (๊ฐ™์€ ์กฐ๋ช…, ์ƒˆ ํŒ”๋ ˆํŠธ: ํ‹ธ, ์ƒŒ๋“œ, ๋Ÿฌ์ŠคํŠธ)
  3. ์ด๋ฏธ ์ž‘๋™ํ•˜๋Š” ๊ฒƒ์„ ๋ ˆํผ๋Ÿฐ์Šค๋กœ ๊ณ ์ •ํ•˜๊ณ  ์กฐ์ •๋งŒ ์„ค๋ช…

https://cookbook.openai.com/examples/sora/sora2_prompting_guide#visual-cues-that-steer-the-look

12.2 ๋ฌธ์ œ ํ•ด๊ฒฐ ์‹œ ๋‹จ์ˆœํ™”

์ƒท์ด ๊ณ„์† ์‹คํŒจํ•œ๋‹ค๋ฉด ๋‹จ์ˆœํ™”ํ•˜์„ธ์š”:

  • ์นด๋ฉ”๋ผ ๊ณ ์ •: ์›€์ง์ž„ ์ œ๊ฑฐ
  • ์•ก์…˜ ๋‹จ์ˆœํ™”: ๋ณต์žกํ•œ ๋™์ž‘์„ ๊ธฐ๋ณธ ์ œ์Šค์ฒ˜๋กœ
  • ๋ฐฐ๊ฒฝ ์ •๋ฆฌ: ์‚ฐ๋งŒํ•œ ์š”์†Œ ์ œ๊ฑฐ
  • ์ž‘๋™ํ•˜๋ฉด ๋‹จ๊ณ„์ ์œผ๋กœ ๋ณต์žก๋„ ์ถ”๊ฐ€

Part 4: ์‹ค์ „ ์ ์šฉ โญ

13. (์ถ”๊ฐ€) 5๊ฐ€์ง€ ์š”์†Œ๋ฅผ ํ†ตํ•ฉํ•˜๋Š” ๋ฐฉ๋ฒ•

๐Ÿ’ก ์ด ์„น์…˜์—์„œ๋Š”: Part 2์—์„œ ๋ฐฐ์šด 5๊ฐ€์ง€ ํ•ต์‹ฌ ์š”์†Œ(์นด๋ฉ”๋ผ, DOF, ์•ก์…˜, ์กฐ๋ช…, ํ”ผ์‚ฌ์ฒด)๋ฅผ ์‹ค์ œ ํ”„๋กฌํ”„ํŠธ์— ์–ด๋–ป๊ฒŒ ํ†ตํ•ฉํ•˜๋Š”์ง€ ๋‹จ๊ณ„๋ณ„๋กœ ๋ฐฐ์›๋‹ˆ๋‹ค.

13.1 (์ถ”๊ฐ€) ํ”„๋กฌํ”„ํŠธ ์ž‘์„ฑ ์ „ ์ฒดํฌ๋ฆฌ์ŠคํŠธ

5๊ฐ€์ง€ ์š”์†Œ ์ฒดํฌ๋ฆฌ์ŠคํŠธ:

  • โ˜ ์นด๋ฉ”๋ผ ํ”„๋ ˆ์ด๋ฐ ๋ช…์‹œํ–ˆ๋‚˜?
    • ์ƒท ํฌ๊ธฐ (Wide/Medium/Close-up)
    • ์นด๋ฉ”๋ผ ๊ฐ๋„ (Eye level/Low/High)
    • ์นด๋ฉ”๋ผ ์›€์ง์ž„ (Static/Dolly/Pan)
  • โ˜ ํ”ผ์‚ฌ๊ณ„ ์‹ฌ๋„ ์„ค์ •ํ–ˆ๋‚˜?
    • Shallow DOF (๋ฐฐ๊ฒฝ ํ๋ฆผ) ๋˜๋Š” Deep DOF (์ „์ฒด ์„ ๋ช…)
  • โ˜ ์•ก์…˜์„ ๋น„ํŠธ๋กœ ๋‚˜๋ˆด๋‚˜?
    • ๊ฐ ๋น„ํŠธ์— ์ˆซ์ž ์นด์šดํŠธ๋‚˜ ์‹œ๊ฐ„ ์•ต์ปค
    • 4์ดˆ ํด๋ฆฝ: 3-4๊ฐœ ๋น„ํŠธ
    • 8์ดˆ ํด๋ฆฝ: 6-8๊ฐœ ๋น„ํŠธ
  • โ˜ ์กฐ๋ช…๊ณผ ํŒ”๋ ˆํŠธ 3-5๊ฐœ ๋ช…์‹œํ–ˆ๋‚˜?
    • ์กฐ๋ช… ๋ฐฉํ–ฅ (Key/Fill/Rim)
    • ์กฐ๋ช… ํ’ˆ์งˆ (Hard/Soft)
    • ์ƒ‰์˜จ๋„ (Warm/Cool)
    • ์ƒ‰์ƒ ์•ต์ปค 3-5๊ฐœ
  • โ˜ ํ”ผ์‚ฌ์ฒด ์„ธ๋ถ€์‚ฌํ•ญ 3-5๊ฐœ ๊ณ ์ •ํ–ˆ๋‚˜?
    • ์˜์ƒ, ํ—ค์–ด/์–ผ๊ตด, ์•ก์„ธ์„œ๋ฆฌ, ๋‚˜์ด/์ฒด๊ฒฉ

13.2 (์ถ”๊ฐ€) ๋‹จ๊ณ„๋ณ„ ํ”„๋กฌํ”„ํŠธ ์ž‘์„ฑ ๊ฐ€์ด๋“œ

Step 1: ์Šคํƒ€์ผ๋ถ€ํ„ฐ ์‹œ์ž‘

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Style: [์ „์ฒด ๋ฏธํ•™ ์ •์˜]
์˜ˆ: "1970s romantic drama, shot on 35mm film"

Step 2: ์žฅ๋ฉด ๊ธฐ๋ณธ ์„ค๋ช… (ํ‰๋ฌธ)

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[์žฅ์†Œ, ์‹œ๊ฐ„, ์ธ๋ฌผ, ๊ธฐ๋ณธ ์ƒํ™ฉ์„ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋ฌ˜์‚ฌ]
์˜ˆ: "At golden hour, a brick tenement rooftop..."

Step 3: 5๊ฐ€์ง€ ์š”์†Œ ์ถ”๊ฐ€

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Cinematography:
Camera: [ํ”„๋ ˆ์ด๋ฐ + ๊ฐ๋„ + ์›€์ง์ž„]
Depth of field: [Shallow/Deep + ๊ตฌ์ฒด์  ํšจ๊ณผ]
Lighting: [๋ฐฉํ–ฅ + ํ’ˆ์งˆ + ์ƒ‰์˜จ๋„]
Palette anchors: [3-5๊ฐœ ์ƒ‰์ƒ]

Subject: [3-5๊ฐœ ๋…ํŠนํ•œ ํŠน์ง•]

Actions:
- [๋น„ํŠธ 1] (0-2s)
- [๋น„ํŠธ 2] (2-4s)
- [๋น„ํŠธ 3] (4-6s)

Step 4: ์„ ํƒ ์‚ฌํ•ญ ์ถ”๊ฐ€

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Dialogue: (ํ•„์š”์‹œ)
- [์บ๋ฆญํ„ฐ]: "[๋Œ€์‚ฌ]"

Background Sound: (ํ•„์š”์‹œ)
[ํ™˜๊ฒฝ์Œ ๋ฌ˜์‚ฌ]

13.3 ํ†ตํ•ฉ ์˜ˆ์‹œ: ๋กœ๋ด‡ ์ž‘์—…์‹ค

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Style: Hand-painted 2D/3D hybrid animation with soft brush textures, 
warm tungsten lighting, and a tactile, stop-motion feel.
(โ†’ Step 1: ์Šคํƒ€์ผ)

Inside a cluttered workshop, shelves overflow with gears, bolts, and yellowing blueprints. 
At the center, a small round robot sits on a wooden bench.
(โ†’ Step 2: ๊ธฐ๋ณธ ์žฅ๋ฉด ์„ค๋ช…)

Cinematography:
Camera: medium close-up, slow push-in with gentle parallax from hanging tools
(โ†’ ์š”์†Œ 1: ์นด๋ฉ”๋ผ)

Depth of field: Shallow - sharp on robot, background clutter softly blurred
(โ†’ ์š”์†Œ 2: DOF)

Lighting + Palette:
- Warm key from overhead practical bulb
- Cool window spill for contrast
- Palette anchors: amber, rust orange, steel blue, warm brown
(โ†’ ์š”์†Œ 4: ์กฐ๋ช…๊ณผ ํŒ”๋ ˆํŠธ)

Subject: Small round robot, dented body patched with mismatched plates, 
large pale blue glowing eyes
(โ†’ ์š”์†Œ 5: ํ”ผ์‚ฌ์ฒด ๊ณ ์ •)

Actions:
- Robot taps bulb; sparks crackle (0-1s)
- Flinches, drops bulb, eyes widen (1-2s)
- Bulb tumbles in slow-mo; catches it (2-3s)
- Steam puff from chest - relief (3-4s)
(โ†’ ์š”์†Œ 3: ์•ก์…˜ ๋น„ํŠธ)

Background Sound:
Rain, ticking clock, soft mechanical hum, faint bulb sizzle.

์˜ˆ์‹œ ๋ถ„์„:

  1. ์Šคํƒ€์ผ ์ •์˜์˜ ๊นŠ์ด: Hand-painted 2D/3D hybrid, mid-2000s storybook animation
  2. ์บ๋ฆญํ„ฐ ๋””์ž์ธ: dented body patched with mismatched plates, large glowing eyes
  3. ์•ก์…˜์˜ ๋น„ํŠธ ๋ถ„ํ• : 5๊ฐœ์˜ ๋ช…ํ™•ํ•œ ๋น„ํŠธ๋กœ 4์ดˆ ๋‚ด ์™„์ „ํ•œ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ
  4. ์‚ฌ์šด๋“œ ๋””์ž์ธ: 4๊ฐœ์˜ ๊ตฌ์ฒด์  ๋ ˆ์ด์–ด๋กœ ํ’๋ถ€ํ•œ ๋ถ„์œ„๊ธฐ

14. ํ”„๋กฌํ”„ํŠธ ํ…œํ”Œ๋ฆฟ

14.1 ๊ธฐ๋ณธ ํ…œํ”Œ๋ฆฟ

์ •๋ณด์˜ ์ข…๋ฅ˜๋ฅผ ๋ถ„๋ฆฌํ•˜๋ฉด ์ผ๊ด€์„ฑ์ด ๋†’์•„์ง‘๋‹ˆ๋‹ค.

  • ์ด๋Š” ๋งŒ๋Šฅ ๋ ˆ์‹œํ”ผ๊ฐ€ ์•„๋‹ˆ์ง€๋งŒ ๋ช…ํ™•ํ•œ ํ”„๋ ˆ์ž„์›Œํฌ๋ฅผ ์ œ๊ณตํ•ฉ๋‹ˆ๋‹ค.

ํŠน์ • ์š”์†Œ๋ฅผ ์—ด์–ด๋‘๋ฉด:

  • ๋ชจ๋ธ์ด ๋” ์ฐฝ์˜์ ์œผ๋กœ ํ•ด์„
  • ์˜ˆ์ƒ์น˜ ๋ชปํ•˜์ง€๋งŒ ์ข…์ข… ์•„๋ฆ„๋‹ค์šด ๋ณ€ํ˜• ์ œ๊ณต
  • ๊ณ ๋„๋กœ ์„ค๋ช…์ ์ธ ํ”„๋กฌํ”„ํŠธ โ†’ ๋” ์ผ๊ด€๋˜๊ณ  ์ œ์–ด๋œ ๊ฒฐ๊ณผ
  • ๊ฐ€๋ฒผ์šด ํ”„๋กฌํ”„ํŠธ โ†’ ์‹ ์„ ํ•˜๊ณ  ์ƒ์ƒ๋ ฅ ์žˆ๋Š” ๋‹ค์–‘ํ•œ ๊ฒฐ๊ณผ
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[ํ‰๋ฌธ์œผ๋กœ ์žฅ๋ฉด ์„ค๋ช…. ์บ๋ฆญํ„ฐ, ์˜์ƒ, ํ’๊ฒฝ, ๋‚ ์”จ ๋ฐ ๊ธฐํƒ€ ์„ธ๋ถ€์‚ฌํ•ญ ๋ฌ˜์‚ฌ. 
๋น„์ „๊ณผ ์ผ์น˜ํ•˜๋Š” ๋น„๋””์˜ค๋ฅผ ์ƒ์„ฑํ•˜๋„๋ก ์ƒ์„ธํžˆ ๊ธฐ์ˆ .]

Cinematography:
Camera shot: [ํ”„๋ ˆ์ด๋ฐ๊ณผ ์•ต๊ธ€, ์˜ˆ: wide establishing shot, eye level]
Mood: [์ „์ฒด ํ†ค, ์˜ˆ: cinematic and tense, playful and suspenseful]

Actions:
- [์•ก์…˜ 1: ๋ช…ํ™•ํ•˜๊ณ  ๊ตฌ์ฒด์ ์ธ ๋น„ํŠธ๋‚˜ ์ œ์Šค์ฒ˜]
- [์•ก์…˜ 2: ํด๋ฆฝ ๋‚ด ๋˜ ๋‹ค๋ฅธ ๊ตฌ๋ณ„๋˜๋Š” ๋น„ํŠธ]
- [์•ก์…˜ 3: ๋˜ ๋‹ค๋ฅธ ์•ก์…˜ ๋˜๋Š” ๋Œ€์‚ฌ ๋ผ์ธ]

Dialogue:
[์ƒท์— ๋Œ€ํ™”๊ฐ€ ์žˆ๋‹ค๋ฉด, ์—ฌ๊ธฐ ๋˜๋Š” ์•ก์…˜ ๋ฆฌ์ŠคํŠธ์˜ ์ผ๋ถ€๋กœ ์งง๊ณ  ์ž์—ฐ์Šค๋Ÿฌ์šด ๋Œ€์‚ฌ ์ถ”๊ฐ€. 
ํด๋ฆฝ ๊ธธ์ด์— ๋งž๊ฒŒ ๊ฐ„๊ฒฐํ•˜๊ฒŒ ์œ ์ง€.]

15. ์‹ค์ „ ์˜ˆ์‹œ

์˜ˆ์‹œ: ๋กœ๋งจํ‹ฑ ๋“œ๋ผ๋งˆ

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Style: 1970s romantic drama, shot on 35 mm film with natural flares, 
soft focus, and warm halation. Slight gate weave and handheld micro-shake 
evoke vintage intimacy. Warm Kodak-inspired grade; light halation on bulbs; 
film grain and soft vignette for period authenticity.

At golden hour, a brick tenement rooftop transforms into a small stage. 
Laundry lines strung with white sheets sway in the wind, catching the last rays of sunlight. 
Strings of mismatched fairy bulbs hum faintly overhead. A young woman in a flowing red 
silk dress dances barefoot, curls glowing in the fading light. Her partner โ€” sleeves rolled, 
suspenders loose โ€” claps along, his smile wide and unguarded. Below, the city hums with 
car horns, subway tremors, and distant laughter.

Cinematography:
Camera: medium-wide shot, slow dolly-in from eye level
Lens: 40 mm spherical; shallow focus to isolate the couple from skyline
Lighting: golden natural key with tungsten bounce; edge from fairy bulbs
Mood: nostalgic, tender, cinematic

Actions:
- She spins; her dress flares, catching sunlight.
- Woman (laughing): "See? Even the city dances with us tonight."
- He steps in, catches her hand, and dips her into shadow.
- Man (smiling): "Only because you lead."
- Sheets drift across frame, briefly veiling the skyline before parting again.

Background Sound:
Natural ambience only: faint wind, fabric flutter, street noise, muffled music. 
No added score.

์˜ˆ์‹œ ๋ถ„์„:

  1. ํ•„๋ฆ„ ์Šคํ†ก ์—๋ฎฌ๋ ˆ์ด์…˜: 35 mm film with natural flares, Warm Kodak-inspired grade
  2. ๊ณจ๋“  ์•„์›Œ ํ™œ์šฉ: golden hour, last rays of sunlight
  3. ์˜์ƒ๊ณผ ์บ๋ฆญํ„ฐ: flowing red silk dress, barefoot, sleeves rolled
  4. ๋Œ€ํ™”์˜ ์ž์—ฐ์Šค๋Ÿฌ์›€: ์งง๊ณ  ์‹œ์ ์ธ ๊ตํ™˜, ์•ก์…˜๊ณผ ํ†ตํ•ฉ
  5. ์ž์—ฐ์ฃผ์˜ ์‚ฌ์šด๋“œ: No added score, ๋‹ค์ด์ œํ‹ฑ ์‚ฌ์šด๋“œ๋งŒ

ํ•ต์‹ฌ ์š”์  ์ •๋ฆฌ

Sora 2 ํ”„๋กฌํ”„ํŒ… ์„ฑ๊ณต ์ „๋žต

  1. API ํŒŒ๋ผ๋ฏธํ„ฐ ๋จผ์ € ์„ค์ •

    • model, size, seconds๋Š” API๋กœ ์ œ์–ด
    • ์งง์€ ํด๋ฆฝ(4์ดˆ)์ด ๋” ์‹ ๋ขฐ์„ฑ ๋†’์Œ
  2. 5๊ฐ€์ง€ ํ•ต์‹ฌ ์š”์†Œ ๋งˆ์Šคํ„ฐ

    • ์นด๋ฉ”๋ผ ํ”„๋ ˆ์ด๋ฐ, DOF, ์•ก์…˜ ๋น„ํŠธ, ์กฐ๋ช…/ํŒ”๋ ˆํŠธ, ํ”ผ์‚ฌ์ฒด ์„ธ๋ถ€์‚ฌํ•ญ
  3. ์งง์€ vs ๊ธด ํ”„๋กฌํ”„ํŠธ ๊ท ํ˜•

    • ์งง์€ = ์ฐฝ์˜์  ์ž์œ 
    • ๊ธด = ์ œ์–ด์™€ ์ผ๊ด€์„ฑ
  4. ์Šคํƒ€์ผ์„ ์ตœ์šฐ์„ ์œผ๋กœ

    • ์ „์ฒด ๋ฏธํ•™ ๋จผ์ € ์ •์˜
  5. ๋ช…ํ™•์„ฑ > ๋ชจํ˜ธํ•จ

    • ๊ตฌ์ฒด์  ๋™์‚ฌ์™€ ๋ช…์‚ฌ ์‚ฌ์šฉ
  6. ๋™์ž‘์€ ๋‹จ์ˆœํ•˜๊ฒŒ, ๋น„ํŠธ๋กœ ๋ถ„ํ• 

    • ํ•˜๋‚˜์˜ ์ƒท = ํ•˜๋‚˜์˜ ์›€์ง์ž„ + ํ•˜๋‚˜์˜ ์•ก์…˜
  7. ์กฐ๋ช…๊ณผ ์ƒ‰์ƒ ์ผ๊ด€์„ฑ

    • 3-5๊ฐœ ์ƒ‰์ƒ ์•ต์ปค
  8. ๋ฐ˜๋ณต์„ ๋‘๋ ค์›Œํ•˜์ง€ ๋งˆ์„ธ์š”

    • ๋‘ ๋ฒˆ์งธ, ์„ธ ๋ฒˆ์งธ ์‹œ๋„๊ฐ€ ์ตœ๊ณ ์ผ ์ˆ˜ ์žˆ์Œ

๊ธธ์ด vs ์ฐฝ์˜์„ฑ ํŠธ๋ ˆ์ด๋“œ์˜คํ”„

ํ”„๋กฌํ”„ํŠธ ์œ ํ˜• ๋ชจ๋ธ ์ฐฝ์˜์„ฑ ์‚ฌ์šฉ์ž ์ œ์–ด ์ ํ•ฉํ•œ ๊ฒฝ์šฐ
์งง์€ (1-2๋ฌธ์žฅ) ๋†’์Œ ๋‚ฎ์Œ ์‹คํ—˜์  ํƒ์ƒ‰
์ค‘๊ฐ„ (5-10๋ฌธ์žฅ) ์ค‘๊ฐ„ ์ค‘๊ฐ„ ์ผ๋ฐ˜์  ํ”„๋กœ์ ํŠธ
๊ธด (15+ ๋ฌธ์žฅ) ๋‚ฎ์Œ ๋†’์Œ ์ „๋ฌธ ์ œ์ž‘
Ultra-Detailed ๋งค์šฐ ๋‚ฎ์Œ ๋งค์šฐ ๋†’์Œ ์‹œ๋„ค๋งˆํ‹ฑ ์žฌํ˜„

๊ฒฐ๋ก 

Sora 2๋ฅผ ํšจ๊ณผ์ ์œผ๋กœ ์‚ฌ์šฉํ•˜๋Š” ๊ฒƒ์€ ๊ณผํ•™์ด ์•„๋‹Œ ์˜ˆ์ˆ ์ž…๋‹ˆ๋‹ค. ์ด ๊ฐ€์ด๋“œ์—์„œ ๋‹ค๋ฃฌ ์ „๋žต๋“ค์„ ์ฒด๊ณ„์ ์œผ๋กœ ์ ์šฉํ•˜๋˜, ์‹คํ—˜ํ•˜๊ณ  ๋ชจ๋ธ๊ณผ ํ˜‘์—…ํ•˜๋Š” ๊ณผ์ •์„ ์ฆ๊ธฐ์„ธ์š”.

Sora 2์™€ ํ•จ๊ป˜ ๋น„์ „์„ ํ˜„์‹ค๋กœ ๋งŒ๋“ค์–ด๋ณด์„ธ์š”! ๐ŸŽฌ

์˜ค๋Š˜๋„ ์ฝ์–ด์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค ๐Ÿ˜บ



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